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Helene Beland 🎨 Canadian painter (Born 1949) 21/12/2022

Helene Beland, Canadian painter (Born 1949)
https://helenebeland.ca/
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Art Forum Artists of the Day 2019 20/12/2022

MWW Artist of the Day (5/12/19)
Thomas Benjamin Kennington (British, 1856–1916)
Homeless (1890)
Oil on canvas, 166.6 x 151.7 cm.
Bendigo (Australia) Art Gallery

"Homeless" is one of a series of works in which Kennington depicts the plight of women and children who were impoverished or destitute. Subjects such as these gained popularity during the 1870s and 1880s, partly as a result of the increasing influence of illustrated journals, which regularly commisssioned artists to provide images of 'real' life. Homeless was exhibited at the Royal Academy in 1890, and in Melbourne in the Anglo-Australian Exhibition of 1892. Similar works by Thomas Kennington include "Orphans," 1885 (Tate Britain, London), and "The Pinch of Poverty," 1889 (Art Gallery of South Australia, Adelaide).

In "Homeless," the square-brush technique used by Kennington in painting the wet pavement and the river, and his focus on subtle tonal variations rather than on colour -- as in the soft grey light illuminating this scene -- were among the characteristics adapted by British artists from French sources at the time.

(from the Gallery website)

Art Forum Artists of the Day 2019 20/12/2022

MWW Artist of the Day (5/1/19)
Albert Anker (Swiss, 1831–1910)
Two Sleeping Girls on the Stove Bench (1895)
Oil on canvas, 55.5 x 71.5 cm.
Kunsthaus, Zürich (Gift of August Egli)

Albert Anker’s paintings of figures often suggest a moment spontaneously glimpsed and secretly observed: as with this painting, which shows two girls, the Räubi sisters, sleeping on a bench by the stove. The dark brown background and warm light that makes the figures stand out are characteristic of his work. Anker is known and loved for his depictions of simple, rural Swiss life, domestic activities, village scenes and images of children, for which his own offspring often sat as models. Without superimposing religious overtones on the peasants’ hard lives or conveying social criticism, he presents peaceful groups of people of different ages with dignity, founded on his interest in humanity and his underlying Christian faith.

(from the Google Arts & Culture website)

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