Haytham A. Aziz Photography
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08/05/2015
Stalingrad, Emmanuil Evzerikhin
The Battle of Stalingrad was one of the bloodiest battles in history. For six months in 1942/43, N**i Germany waged a total war on the city; over 1,000 tonnes of explosives were dropped on the city in the initial assaults alone, reducing Stalingrad’s city centre into rubble. These scenes of devastation were covered by Emmanuil Evzerikhin, among whose most memorable photos was that of Barmaley Fountain, a miraculously intact statue of children playing in front of a destroyed city square.
Evzerkhin was a Soviet Jew who had already been disgraced once, for a surreal Soviet offense. In 1939, he was purged for staging a photo: while photographing factory workers, he wrote down that he took photos at 1 p.m. However, the time on the clocks suggested 7 a.m. By “staging” the clocks, Evzerikhin was guilty of subverting the system: the purpose of his assignment was to prove that all workers were already at their places at 7 a.m. When the war with Germany began, he was rehired as a war photographer. His poignant photos from Stalingrad — such as a musician saving his instrument (below) and a girl sheltering in bombed ruins — were widely printed in the press; he received an Order of the Red Star and “For the Defense of Stalingrad” medal.
After Stalingrad, Evzerikhin went on to document Ukrainian and Belorussian fronts. He saw the liberations of Minsk, Warsaw, Konigsberg, and Prague. On his return to Russia, however, he found opportunities fast evaporating. He was after all, a Jew; soon afterwards, he demoted again in anti-Semitic purges .
Russians viewed and remembered the Second World War differently, not in sallow faces of Holocaust survivors or the horrors of concentration camps freed, but in sieges endured, and fathers, husbands, and sons lost. Victories at battles of Moscow and Stalingrad were refashioned as truly ‘Russian’ victories, as opposed to Soviet victories. Soviet Russia did not suffer total occupation, as had the Baltics, Belarus, or Ukraine, nor was it much marked by the Holocaust compared to Ukraine or Belarus. This distance from the horrors of the Holocaust was to deny Russia certain lessons; when the war ended, Stalinist antisemitic pogroms were just around the corner.
Soon after the war, Stalin cancelled a Soviet documentary on the Holocaust, which highlighted that the “victims of fascism” were primarily Jewish. By 1953, the Soviet leadership was drafting Jewish denunciations which lifted phrases straight from N**i propaganda. A fitting epigraph was penned by Vasily Grossman, a Jewish writer soon to be denounced; in sequel to his monumental novel of the Battle of Stalingrad, For a Just Cause, he had a Gestapo officer quip, “Today you’re appalled by our hatred of the Jews. Tomorrow you may make use of our experience yourselves.”
Written by Alex Selwyn-Holmes
Credit to Life iconic photos ©
25/02/2015
It's never too late for the first i love you.
Haytham A. Aziz ©
27/12/2014
Dialogues,
A dialogue between the dancer and the space.
Dialogues #3 with Khouloud Yassine,
La Grande Brasserie du Levant Beirut [2013]
© Copyright Caroline Tabet 2014
http://www.carolinetabet.com/index.php
22/12/2014
Venice Blues ' Venice, Italy - Veneza, Italia
Photo credit : Saif Albluwi ©
15/12/2014
Blessed smile :)
Photo credit : Brin d'Amour ©
11/12/2014
" * HUTCH // STINKFISH * Brighton "
Photo credit : Rochelle Rubin ©
06/12/2014
جدارية الشهداء -
شارع عيون الحريه (محمد محمود سابقا)
ميدان التحرير ...
Martyrs street graffiti At Mohamad Mahmoud St. -
Tahrir Square, Cairo, Egypt
Haytham A. Aziz Photoggraphy ' ©
24/11/2014
شَتْوة ...
#شتا #مطر © ' Haytham
24/11/2014
Salvador Dalí painting The Face of War, 1941.
Photo credit - (Old Pics Archive) ©
21/10/2014
Artist Replaces Guns With Flowers In Vintage Photos Of Soldiers At Wartime Make peace, not war.
16/10/2014
Via (Vanessa Hansen Mills)
Artist : Simple G. ©
16/10/2014
Emir Terovic ©
Camera : NIKON D300
Focal Length : 17mm
Shutter Speed : 1/1250 s
Aperture : f/3.2
ISO/Film : 200
una nostalgia una nostalgia by Emir Terovic
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