Holy Ravioli
It's the filling - not the wrapping.
I skæringspunktet mellem sølvpapir fra en gammel durum og crocs i sandkassen finder vi hverdagens magi.
Og det er præcis dén brandplatform, vi har eksekveret på for denne hero til Sun Lolly
‘Everyday Magic’ er det, den trekantede is, vi selv fryser, rummer.
Nemt og uprætentiøst, men en sikker vinder hver gang.
Bag den nye brandplatform ligger et enormt kreativt arbejde fra bureauet Twenty.
Og bag produktionen, alle de her seje mennesker:
Instruktør: Kristian Boysen
Executive Producer: Kristian Ussing Andersen
Editor: Tue Eskildsen
Production Manager: Niels Christian Sixhøj Sørensen
DoP: David Bauer
Sound: Jacob Høgsberg
Sun Lolly
Marketing Project Manager: Kim Birthe Watson
Marketing Project Manager: Christina Smith
Twenty
Creative Director: Farah Dib
Creative: Lea Brisell
Client Lead: Lise Skakkebæk Larsen
Project & Production Lead // Partner: August Q.K. Rein
CEO: Thomas Bjerg
Strategic Director: Louise Brandt
Intet skriger “run, don’t walk” som spidse lædersko, backslick hår og en liiidt for stram mellemledervest.
Så er det godt, du ikke møder dét hos
De er nemlig ikke så ejendomsmægleragtige.
Og præcis dét har vi forsøgt at indkapsle i deres nye kampagnefilm.
—
Producer - Morten Peglau
Instruktør - Klaus Spendser
DOP - Nikolaj Jungersen
B-photo - Gustav Meiling
Produktionsleder - NC Sixhøj
Lysmester - Jens Lund
Belyser - David Medina
Production Designer - Freja Vittrup
Stylist - Trine Cordes
Makeup artist - Katrine Beck
Sound Designer - Jacob Høgsberg
Produktionskoordinator - Nikolaj Naetz
Produktionsassistent - Line Vedel
Runner - Sif Køedt
Post
Klip - Tue Eskildsen
Tonemester - Nis Nørgaard
Colorgrade - Nikolaj Jungersen
Nord DDB
Copywriter — Niels Hjorth-Larsen
Creative — Kristian Skjoldborg
Senior Account Manager — Sofie Rasmussen
Producer — Louise Høyer
“Why have I got subtitles?” Jimmy Carr asks.
Well maybe would be the one to answer since he’s the one who’ve directed this tummy-tickling ad 🤜🤛
We’re so stoked to have him join the Holy Ravioli team of directors. We can guarantee Tom will always find a way to twist whatever lands on his desk. And we love that.
This is what happens when you let take the wheel 🚨
“Let’s Fry Away” for LEGO.
Directed by Tom Clarkson, who just joined us at Holy Ravioli.
It’s undeniable that Tom has a thing for humor that feels a bit… off. In the best way possible, might we add!
Welcome to the team, Tom. We’re already into it 🫰
This one we’ve been eager to announce 👀�Say hi to — the newest addition to Holy Ravioli. Tom writes and directs.
�Humor is his thing — and he’s pretty good at it.
LEGO. Audi. Tesco. Kellogg’s. O2.�
A cult sketch show called Mr Thing.�TV, stage, digital.
He brings wit, chaos and realness to his work.�What can we say? The man knows his craft.
We’ll be dropping some of his work soon.�It’s pretty f*cking funny.
It’s called a shortlist but this year it’s actually pretty long for us. 11 to be exact. None of this happens without all of the talented people who’ve been part of these campaigns. Now let’s bring home some circles 🤞
——
Branded Content: Canary of Mine for Birdie
Art Direction Film: Canary of Mine for Birdie
Direction: Canary of Mine for Birdie
Director:
Direction: Lonely Generation for Call me
Integrated Campaigns: Lonely Generation for Call Me
Film 60+: Lonely Generation for Call me
Ambient: Lonely Generation for Call me
Director:
Agency: Brandhouse
Direction: Spil Sammen for Lotto
Film 21-60: Spil Sammen for Lotto
Director:
Agency: Robert/Boisen+Like–Minded
Single Media Campaigns Film: Det gode arbejdsliv for FH
Director:
Agency: Community Agency
Humour in Advertising: 40 års jubilæum for Dansk Reklame Film A/S
Director:
Agency: PONG
How much is 2 X 1.4?
It’s exactly a whole lot of “F**K YEAH MAN”!
’s “Canary of Mine” for .scandinavia got two longlists at the awesome Film Festival and we’re beyond happy and proud!
All the thanks go out to alle the amazingly talented people who came together to create this little gem of a film.
Når casting betyder (næsten) alt. Allerede før vi var startet med at skrive manuskripter til filmene for AP, proklamerede Kristian Boysen: Jeg ved præcis, hvem der skal være April. Og han fik ret. For Joy Anna Hall er en fornøjelse at være i selskab med!
I et tæt samarbejde med AP Pension og Schmidt Studio har vi forsøgt at mase lidt spræl og charme ind i pensions-kommunikation. 💫
AP Pension Crew
Director: Kristian Boysen
1st Assistant Director: Tue Czajkowski
Executive Producer: Kristian Ussing
Producer: Jens Formann
Director of Photography: Nikolaj Jungersen
B Camera Operator: Gustav Meiling
Gaffer: Andreas Kragh-Jacobsen
Gaffer: Jens Lund
Best Boy: David Medina
Key Grip: Tøt
Stylist: Sara Ingemann Holm Nielsen
Make-Up Artist: Heidi Wessel
Production Design: Christian Rahtmann
Production Design Assistant: Frederikke Jermiin
Stunt: Kim-Patrick Rosenkilde
Stills Photographer: Emil Monty Freddie
Behind the Scenes: Louis Visbo
Sound Technician: Jacob Høghsberg
Steadicam Operator: Jonas Torp
Production Assistant: Salanya Mortensen
Production Assistant: Calle
Production Assistant: Hannah Kammer Garde
Post-Production
Post Producer: Jens Formann
Editor: Tue Eskildsen
Composer: Jamie Ryan
Color Grading: Lasse Marcussen
Sound Design: Nis Nørregaard
AP
Communications Consultant: Louise Hvidt
Communications Consultant: Pil Bloch Duus
Cast
April: Joy Hall
Bastian: Emil Bodenhoff
Laura: Anne Reumert
17/09/2025
I en tid, hvor alt går hurtigt, satte vi tempoet ned.
Vi lavede en syv minutters sort/hvid kortfilm om historien bag “the canary in the coal mine” – en fortælling om advarsler, overlevelse og menneskets afhængighed af naturen.
SE LINK HERUNDER!
🎬 Canary of Mine
Directed by Martin Nørgaard Furze
Produced by Holy Ravioli
Sponsored by Birdie 🐤
Ex Creative Director: Martin Furze
Produktion: Holy Ravioli
Manus & Instruktion: Martin Furze
Ex Producer: Morten Peglau
Foto: Jason Idris
Foto Pick up: Jonas Møller
Gaffer: Frank Omøe
Line Producer: Tobias Vestergaard, NC Sixhøj
Line Producer Pick up: NC
Production Design: Camilla Silvana
MU & Wardrobe: Mai Yasakaya
Wardrobe: Trine Cordes
Talent: Sonny — / Barry —
Runner: —
B Foto: —
Post Produktion
Holy Ravioli: Post Producer
Post Producer: Pia Nellemose, Martin Furze
Klip: Ben Canny – White House Post
Klip Pick up: Tue Eskildsen, Martin De Thurah, Martin Furze
Conform: Viktor Colling
Grade Ex Producer: Hugh Copeland
Grade Color: Taylor Pool – The Trafik
Grade Color Assistance: Daniel De Vue – The Trafik
Score / Music: Martin Furze
Sound Design Producer: Louise Ryge
Sound Design & Foley: Kevin Koch – Chemistry Sound
VFX: Martin Furze, Blicher Møller, Peer Vilmann, Viktor Colling
Graphics & Animation: Martin Furze
12/09/2025
🚀 HOLY MOLY - VI HAR STARTET ET NYT PRODUKTIONSSELSKAB!
Hun er yngre. Friskere. Født online. Holy Moly er den nye søster til Holy Ravioli - skabt til at lave indhold til sociale medier, ikke bare presset ind for at passe. Indhold, der føles hjemme på TikTok, Instagram, YouTube, Snapchat - og alt det, der kommer bagefter.
Kreativitet, der fungerer i feedet. Ikke på et moodboard. Ikke på tv. Men i den virkelige verden, hvor man scroller hurtigt og blinker, og så er det væk. Holy Moly er frisk, ukuelig og brændende passioneret omkring at skabe noget, der virkelig forbinder. Drevet af rå kreativitet og båret af Raviolis filmiske fundament.
Og nej - det her er ikke “Ravioli Lite.”
Det er Moly. En selvstændig kraft.
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Type
Kontakt virksomheden
Internet side
Adresse
H. C. Ørstedsvej 22G
Frederiksberg
1879