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The Metal Crypt - Review of Hatred Inherit - Void Hatred Inherit Void review Death Metal

The artist of the week: Hatred Inherit (Germany) — Metal Detector Alright, death metal maniacs. If you’ve been starving for something that rips hard, gets technical without losing soul, and drips with pure unfiltered aggression, Hatred Inherit just delivered a slab of darkness that hits every nerve. Hatred Inherit is a death metal band hailing from Bottrop, Germ...

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Finished all instrumental tracks and over 70% of the vocals last weekend for a 4-song demo; Hitting @3rdfloorsounds again early July to complete the recording process and than adding some spicy mixing and mastering to serve you something hopefully this summer! Stay tuned. #enfired#enfiredhc#hardcore#metal#sludge#doom#ruhrpottmetal#ruhrpotthardcore#recordingsession#staypunk#nobodycaresaboutyourhashtags

vocal recordings with enfired at 3rd FlooR SoundS in Essen Germany

vocal recordings with enfired

Hatred Inherit dropped their new album "void" 🤘🏻

Recorded, mixed and mastered at 3rd FlooR SoundS in Essen Germany.

Band: Hatred Inherit
Genre: Death Metal
Country: Germany
Release: Void (Full-Length – 8 tracks)
Label: Pest Records / Satanath Records
Release Date: 13 June 2025

Tracklist:
i) Shrine - https://youtu.be/JcVDGY4PjHk?si=IvsfflKtemQl9Hvo
ii) Feeding The Abyss
iii) Violated
iv) Deathmarch
v) New Gods
vi) Fading From Within
vii) Hatred (Instrumental)
viii) Weak

Hatred Inherit return with a vengeance on Void, their second full-length release and a fierce statement of survival after the loss of their debut during the pandemic chaos. Clocking in just under 31 minutes, Void delivers an unrelenting slab of technically sharp, emotionally scorched death metal — fast, tight, and devastating in all the right ways.

Rooted in the legacy of bands like Morbid Angel, Malevolent Creation, and Immolation, Hatred Inherit don’t reinvent the wheel — instead, they refine it to a deadly edge. The sound is dense and punishing, driven by writhing tremolo riffs, seismic drums, and guttural vocals that feel both primal and precise. There’s a focus here, a discipline — Void is executed with surgical precision, yet never loses its soul.

“Shrine” opens the record with ferocity, a barrage of dissonant guitars and relentlessly shifting drums that set the tone for the devastation to come. The band wastes no time — each track is built for impact, and none outstay their welcome. “Feeding The Abyss” digs deeper into atmosphere, lacing its complexity with menace, while Frederico’s vocals rumble like an ominous force beneath the surface.

“Violated” ratchets up the chaos with twitching, angular riffs and explosive momentum — a furious, compact burst of violence. It’s followed by the slow, grinding “Deathmarch,” which leans into a more death-doom territory. The tempo drops, but the intensity doesn’t. Drummer Kai delivers crushing blows with mechanical precision, while the low-end booms like the sound of concrete splitting under pressure.

“New Gods” hits with renewed speed and tension, layering eerie dissonance over tight, hammering rhythms. The song feels like a storm of collapsing belief — a theme carried throughout the album’s lyrical undercurrent. The production deserves praise here: every instrument is clear without sounding sterile, especially the bass, handled by session player Nils Stadtmann, which adds a thick, brooding foundation throughout.

The sixth track, “Fading From Within,” feels like a turning point — slower, more spacious, and emotionally bleak. There’s a cold beauty beneath the brutality, as the band pulls back just slightly to explore a deeper kind of despair. The instrumental “Hatred” then acts as a bleak pause, eerie and atmospheric, allowing the listener to breathe — if only briefly — before the final descent.

And that descent is “Weak,” the longest and perhaps most harrowing track on Void. It begins with haunting restraint before exploding into a layered, guttural crescendo of despair. There’s a real sense of collapse here, not just musically but emotionally. It’s not just a closing track — it feels like an exorcism.

Despite its brevity, Void never feels incomplete. Every song contributes to the whole. The production strikes the right balance between clarity and grit, and the performances are locked-in and confident without ever being showy. Lyrically, the album draws from themes of inner rot, spiritual disintegration, and existential exhaustion — and the music reflects this collapse with unflinching intensity.

Hatred Inherit have not only rebounded from loss — they’ve come back with purpose. Void is more than just a second album. It’s a declaration of survival and devotion to death metal’s essence. Unapologetically dark, fiercely focused, and driven by genuine urgency, this is a release that won’t just be heard — it will be felt.

Band: Hatred Inherit
Genre: Death Metal
Country: Germany
Release: Void (Full-Length – 8 tracks)
Label: Pest Records / Satanath Records
Release Date: 13 June 2025

Tracklist:
i) Shrine - https://youtu.be/JcVDGY4PjHk?si=IvsfflKtemQl9Hvo
ii) Feeding The Abyss
iii) Violated
iv) Deathmarch
v) New Gods
vi) Fading From Within
vii) Hatred (Instrumental)
viii) Weak

Hatred Inherit return with a vengeance on Void, their second full-length release and a fierce statement of survival after the loss of their debut during the pandemic chaos. Clocking in just under 31 minutes, Void delivers an unrelenting slab of technically sharp, emotionally scorched death metal — fast, tight, and devastating in all the right ways.

Rooted in the legacy of bands like Morbid Angel, Malevolent Creation, and Immolation, Hatred Inherit don’t reinvent the wheel — instead, they refine it to a deadly edge. The sound is dense and punishing, driven by writhing tremolo riffs, seismic drums, and guttural vocals that feel both primal and precise. There’s a focus here, a discipline — Void is executed with surgical precision, yet never loses its soul.

“Shrine” opens the record with ferocity, a barrage of dissonant guitars and relentlessly shifting drums that set the tone for the devastation to come. The band wastes no time — each track is built for impact, and none outstay their welcome. “Feeding The Abyss” digs deeper into atmosphere, lacing its complexity with menace, while Frederico’s vocals rumble like an ominous force beneath the surface.

“Violated” ratchets up the chaos with twitching, angular riffs and explosive momentum — a furious, compact burst of violence. It’s followed by the slow, grinding “Deathmarch,” which leans into a more death-doom territory. The tempo drops, but the intensity doesn’t. Drummer Kai delivers crushing blows with mechanical precision, while the low-end booms like the sound of concrete splitting under pressure.

“New Gods” hits with renewed speed and tension, layering eerie dissonance over tight, hammering rhythms. The song feels like a storm of collapsing belief — a theme carried throughout the album’s lyrical undercurrent. The production deserves praise here: every instrument is clear without sounding sterile, especially the bass, handled by session player Nils Stadtmann, which adds a thick, brooding foundation throughout.

The sixth track, “Fading From Within,” feels like a turning point — slower, more spacious, and emotionally bleak. There’s a cold beauty beneath the brutality, as the band pulls back just slightly to explore a deeper kind of despair. The instrumental “Hatred” then acts as a bleak pause, eerie and atmospheric, allowing the listener to breathe — if only briefly — before the final descent.

And that descent is “Weak,” the longest and perhaps most harrowing track on Void. It begins with haunting restraint before exploding into a layered, guttural crescendo of despair. There’s a real sense of collapse here, not just musically but emotionally. It’s not just a closing track — it feels like an exorcism.

Despite its brevity, Void never feels incomplete. Every song contributes to the whole. The production strikes the right balance between clarity and grit, and the performances are locked-in and confident without ever being showy. Lyrically, the album draws from themes of inner rot, spiritual disintegration, and existential exhaustion — and the music reflects this collapse with unflinching intensity.

Hatred Inherit have not only rebounded from loss — they’ve come back with purpose. Void is more than just a second album. It’s a declaration of survival and devotion to death metal’s essence. Unapologetically dark, fiercely focused, and driven by genuine urgency, this is a release that won’t just be heard — it will be felt.

☠New single by Hatred Inherit, "Deathmarch"

Check out the new Hatred Inherit album "void".

Recorded, mixed and mastered at 3rd FlooR SoundS in Essen Germany.

@hatredinheritofficial Hatred Inherit new song "Deathmarch" premiere! The album "Void" of the German death metal band is out on June 13th, 2025! https://youtu.be/I6zxVNIEOlY Premiere by @metalunderground_com - https://www.metalunderground.com/news/details.cfm?newsid=159636 HATRED INHERIT was founded in 2012 in Bottrop. The songs are featured by traditional and modern drumming as well as heavy and dissonant riffing, according to our own compositions. Major influences on musicians are bands like Malevolent Creation, Dead Congregation, Hate, Morbid Angel, Immolation, Decapitated, Thy Art Is Murder and Death... After their first album got lost in the pandemic in 2020, Hatred Inherit are back with a second full-length. It is titled "VOID" and will destroy your eardrums with 8 varied tracks and a runtime of 31 minutes. The project has been brutally advanced technically. The former members of Phobiatic and Seventh Seal Broken deliver destroying Death Metal in the style of HATE, MORBID ANGEL and DEAD CONGREGATION. The gang make no fu**in' compromises and will blast your entrails from inside out! Long-play was recorded at the studio of guitarist Stipe Šimleša at @3rdFloorSounds 3rd Floor Sounds, featuring dark artwork by @kaiskiphoto @xkaix Kai Ski from The Serpent Sun Tattoo. Co-release @satanathrecords Satanath Records (Georgia) with @pest.records Pest Records (Romania). http://satanath.com/news/item/hatred-inherit https://satanath.bandcamp.com/album/sat395-hatred-inherit-void-2025 #hatredinherit #satanathrecords #pestrecords #deathmetal #germandeathmetal #germanmetal #metalgerman #germanymetal #metalgermany #MalevolentCreation #DeadCongregation #MorbidAngel #Immolation #Decapitated #ThyArtisMurder #3rdfloorsounds #Phobiatic #SeventhSealBroken #kaiskiphoto #deathmetalboy #deathmetalboys #deathmetalhead #metalheadboy #metalhead #metalheads #metalmen #metalman #metallabel #deathmetalman #deathmetalmen

Check out the new Hatred Inherit album "void".

Recorded, mixed and mastered at 3rd FlooR SoundS in Essen Germany.

The devastating German death metal band Hatred Inherit have a new album titled "Void" scheduled for co-release this month by Satanath Records (Georgia) and Pest Records (Romania), and today we premiere its second single, "Shrine" (see the comment link below). As Islander writes in his introduction:

"The song is a breathtaking but also bleak experience. It’s both unmistakably brutal and technically impressive but also melodically nuanced, capable of harnessing, even at high speed, sensations of hatefulness, rage, despair, and pain."