Chasing Reverbs

Chasing Reverbs

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đŸŽŒ Dreamy instrumental music đŸŽ¶
With 🎾 & đŸŽč at its heart | Made for relaxing, unwinding & escaping the noise Let my songs lead you out for a moment.

Maybe our world has always been in a complex state, but these days we really feel how volatile and complicated it is. We look for simplicity. We need to calm our weary heads. We are searching for the relief in between the notes. We are finding a bit of peace in every tail of reverberance. There is enough buzz, gossip and fake news out there. We need no words. Let’s be quiet for a second a take a little rest. This is the sound before the silence. This is Chasing Reverbs.

10/04/2026

Some mornings, you feel it before you've even had coffee. ☕

The phone goes on. And within seconds, it's there: wars, climate disasters, political noise. The kind of weight that makes you want to put it back down before the day has even started.

"The Weight of It All" is my attempt to offer something different — just for the three minutes it lasts. Not an escape from the world, but a brief pause inside it. 🌎

🎧 Out now on all platforms.
Many thanks to Sky Valley Records for the continued support.

06/03/2026

My new track “Two Takes” turned out to be a bit of a challenge.

The original idea started on acoustic guitar. After shaping it into a full piece, I picked up an electric guitar — and the alternate tuning, the sound, and especially the space and reverb felt so compelling that I couldn’t decide which version I liked better.
So I set myself a rule: if I could record both versions in a single take and be happy with the result, both would be released.

That’s how “Two Takes” came to life. What you hear is exactly how it was played — just two hands, six strings, and one continuous performance 🎾
Curious which version you prefer.

Many thanks to Sky Valley Records for supporting the release.

27/02/2026

My memory isn’t the best.
The other day my daughter asked me what I had for lunch in the office cafeteria just two days earlier — and I honestly couldn’t remember.

What I do remember very clearly, though, is the first time I heard Ed Sheeran’s song for “The Hobbit.” It was during a train ride home. There was time to spare, and a friend had sent me the link. I pressed play without expecting much and then just sat there for five minutes, completely stunned. I must have listened to it at least three times in a row. That moment has stayed with me ever since.

Today, my instrumental guitar reinterpretation of that song has crossed one million streams on Spotify — something I still find hard to fully grasp. Artists like Ed Sheeran probably reach that number within a day of releasing new music. For me, it represents years of quiet work, small steps, and steady growth. This isn’t just a statistic. It means that someone, somewhere, decided to press play and that still feels significant to me.

Thank you to everyone who has listened, shared, or added the song to a playlist. And a heartfelt thank you to Sky Valley Records! đŸ™đŸŒ This milestone simply would not have been possible without you.

02/02/2026

When I was younger, discovering new music usually meant buying an album. You’d read in magazines when your favorite band was about to release something new — the internet wasn’t really a thing yet. You’d wait for the day, go into town, search the shelves, and if you were lucky enough to find it, you’d already start flipping through the booklet on the way home. Then you’d put the disc into the player, sit down, and listen to the album from start to finish. There was time. And attention.

I know this may sound like an old man’s story — but you need this context to understand the sparkle in my eyes when the postman delivered the very first vinyl copy of Lost in Low Light. It’s a strange mix of memory, nostalgia, and appreciation for physical formats.I genuinely love streaming — but constant availability and endless choice often come with a certain kind of emptiness. When everything is always there, it also becomes more interchangeable.

Holding this record reminded me why some things still deserve to be held, not just played. If you’d like to have a copy yourself, it’s available via the store on my website:
https://chasing-reverbs.com/store

elasticStage Sky Valley Records

09/01/2026

🌗 „Lost in Low Light“ is out today. 🌗

This album brings together songs I’ve written and released over the past two years — now framed by two new pieces that open and close the record.
It’s not about big moments, but about the quieter ones in between.

The title works on two levels:
On a very personal one, it reflects those late hours when the day is done, the family is asleep, and songs slowly take shape in dim light — sometimes later than planned, sometimes completely losing track of time.
On a broader level, it’s about how we often see the world as black and white, while most things actually live in the grey areas in between. In low light, these nuances become more visible — more honest, perhaps — but also harder to navigate.

Thank you for listening, for coming back, and for taking the time to slow down with this music. And heartfelt thanks to Sky Valley Records for the continued support.

03/12/2025

Thank you all for listening to my music in 2025! ✹

Chasing Reverbs is entering its fifth year, and the reason I still love writing and recording new songs is the support and thoughtful feedback you give me. A heartfelt thanks as well to Sky Valley Records for the continuous support. đŸ™đŸŒ

In a world that often feels overwhelming, it means a lot to know that my music helps you slow down, breathe, and switch off for a moment. Wrapped isn’t a Spotify hype thing for me — I’m aware of the criticism around the platform — but rather a chance to say thank you. And honestly: without it, I wouldn’t be able to reach so many of you around the world.

And one quick note for the many indie artists who point to Bandcamp as a Spotify alternative: Bandcamp has also been acquired by large corporations (first Epic, now Songtradr). If you’re looking for a truly independent option, I’d recommend taking a closer look at Subvert.fm.

Here’s to a musical 2026. Wishing you a peaceful holiday season and a good start into the new year! ❄

01/12/2025

A little seasonal surprise for you today! 🎁

Chris Rea’s 'Driving Home for Christmas' has always been one of my favourite holiday songs — one I can listen to again and again (unlike 'Last Christmas' 😄).
So I thought a calm, guitar-based interpretation might be a nice way to bring a bit of quiet into the pre-Christmas rush.

Hope you enjoy it — and may your December stay as stress-free as possible. 🎄
Thanks to Sky Valley Records for the support!

24/10/2025

🍁 New Release 🍁

My new track “As the Seasons Turn” reflects the quiet transition between autumn and winter — moments when nature slows down and everything feels still, yet somehow full of change.

It was inspired by a short trip with my family to the Eifel — a forested region near my home that, in autumn, almost feels like a small piece of Indian Summer.

Built around warm analog tones and subtle tape echoes, the piece captures a calm, melancholic, and hopeful mood.

🎧 Listen to “As the Seasons Turn” now on all platforms 🌍
đŸ™đŸŒ Many thanks to Sky Valley Records for the continued support!

Video material courtesy of https://dareful.com/

12/09/2025

đŸŒŸ Thy Kids – A Visual Diary đŸŒŸ

“Thy Kids” is more than just a song — it’s a collection of memories from our summer holiday in Denmark. 🌊 The entire video is built from personal photos, capturing dunes, sea, and family days together.

It’s less about perfection, and more about memory.

🎧 Stream “Thy Kids” on all platforms.

12/09/2025

🌊 New Release 🌊

My new track “Thy Kids” was written during our summer holiday in Denmark — inspired by quiet moments by the sea, dunes, and family days together.

This short clip is just a glimpse. The full music video with personal holiday photos follows soon. 🎬

🎧 Listen to “Thy Kids” now on all platforms 🌍
đŸ™đŸŒ Many thanks to Sky Valley Records for the support!

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