Arice

Hey everyone! Super excited to share the first look at this new FAKE collection experiment. Imagine a classic catwalk with a sci-fi twist—our models are floating! This is the first iteration of the idea, and I had a blast animating it all by hand.

AXSID1 Shoe: I’m really proud to finally show the AXSID1 shoe in full context here. I introduced it last week, but now you can see how it fits perfectly with the whole outfit and the theme.

Pants: The pants feature a signature FAKE design element: a net pattern on the pockets and the upper back. It's a detail I love to include, and these pants also have a unique fabric print from a scanned wall texture I found in China.

Long-Sleeve Shirt: The top is a linen long-sleeve with tiny reflective bits that catch the light, giving it a subtle shine. It’s almost like a fishnet texture that really highlights the upper body

digital

👠Introducing the AXID1!🌞👠💦

This is my second attempt at creating a shoe for my FAKE brand, and I'm thrilled to share it.

After working with clients like Nike and Adidas, I found a whole new passion for shoe design and wanted to bring that love into a FAKE piece inspired by things I enjoy.

The AXID 1’s base is inspired by my favorite Clarks Wallabees with that thick, semi-translucent sole. The bold strap is a nod to snowboard boots I love. I also had so much fun exploring color variations.

But what really makes this special is how I crafted the music and visuals together. I tailored a SebastiAn remix to sync perfectly with the video and even added my own extra elements into the song to enhance the impact.

For me, it's not just about the final result; it’s about that journey of blending sound and visuals into one seamless, powerful experience.

I hope you enjoy this as much as I did creating it!

A couple of months ago, the curator at the Textile Museum of Canada invited me—under my FAKE brand—to be part of their "From Cloth to Code" exhibition.

FAKE is basically my creative container for all these experimental digital fashion ideas, so this project was a perfect fit.

The idea was simple and exciting: each artist would choose a piece from the museum’s collection that resonated with them and reinterpret it digitally. Naturally, I gravitated toward the Italian collection and found this incredible 400-year-old vest—probably from a priest—which instantly sparked a cascade of ideas.

That piece became the core of my digital artwork for the exhibition.

From there, the idea was to explore how religion and technology might intersect in the future—imagining a world where technology has taken over and religion is just a memory, a fragment of the past. In that sense, "Vestige" is a reminder—a piece of that memory brought into the digital age.

Finally, I just want to say a big thank you to the Textile Museum crew for all their support. They let me come in, spend time with the real garment, take photos, and really understand all the intricacies of it.

And a special shout-out to , the exhibition curator, who really believed in what I was doing and supported me all the way—I definitely don’t take that for granted.

Music - ital tek

FAKE 2025

going to the office

The impossible shots. I had a lot of fun playing with the camera animation and time on this one. The skater goes in slow motion while the camera is shooting at normal speed. I ended up with something really weird but in the same time interesting. Hope you enjoy it