Norberg Hall

Norberg Hall

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Norberg Hall is a commercial gallery in Calgary with a focus on contemporary Canadian art; featuring prominent emerging, mid-career & established artists.

Jarvis Hall and Shannon Norberg are proud to reveal the renaming of Jarvis Hall Gallery to Norberg Hall. As partners in business as well as in life, this name merger was a natural progression for the galleryโ€™s identity and for their shared artistic vision. Ahead of this shift, the overarching principles of the gallery remain the same. From the galleryโ€™s inception in 2010, founded by Jarvis Hall, and continuing over the past decade alongside Norberg, they have re-envisioned the possibilities of what commercial contemporary art galleries can be for artists, collectors and the vibrant Canadian arts community they value. Their desire for a strong visual culture and passion for gender equity has played an integral part in the shaping of the Norberg Hall and its programming. Throughout the years, Norberg Hall has actively supported the practices of emerging, mid-career and established artists to foster a deeper understanding of their creative processes, while providing a platform and space to share these critical dialogs. Working alongside artists, curators, museums, institutions, corporate and private collectors, they have proudly helped place work in prominent collections and institutions across the country. Through active representation, ongoing exhibitions, international art fairs, studio tours, and community liaisons, Norberg Hall will continue to champion Canadian art in Alberta and beyond. Norberg Hall is a member of the Art Dealers Association of Canada and the Canadian Museum Association.

Photos from Norberg Hall's post 10/03/2026

๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌโ€™s ๐˜Š๐˜ข๐˜ฏ๐˜ฅ๐˜ญ๐˜ฆ๐˜ด๐˜ต๐˜ช๐˜ค๐˜ฌ ๐˜Ž๐˜ช๐˜ณ๐˜ญ๐˜ด, ๐˜š๐˜ถ๐˜ง๐˜ง ๐˜›๐˜ข๐˜ฌ๐˜ฆ๐˜ณ & ๐˜Ž๐˜ช๐˜ฏ ๐˜๐˜ช๐˜ฆ๐˜ฏ๐˜ฅ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜›๐˜ฐ๐˜ฃ๐˜บ ๐˜‘๐˜ถ๐˜จ ๐Ÿ•ฏ๏ธ๐Ÿ‘ƒ๐Ÿป๐Ÿธ๐Ÿบโฃ
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Currently apart of ๐˜š๐˜ฐ๐˜ฐ๐˜ต๐˜ฉ๐˜š๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ดโฃ โฃ
๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌ + ๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโฃ
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๐—Ÿ๐—œ๐—ก๐—žโฃ
๐—œ๐—ก ๐—•๐—œ๐—ขโฃ
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๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌโฃ
๐˜Š๐˜ˆ๐˜•๐˜‹๐˜“๐˜Œ๐˜š๐˜›๐˜๐˜Š๐˜’ ๐˜Ž๐˜๐˜™๐˜“๐˜šโฃ
2026โฃ
ink and watercolour on paperโฃ
20 x 16 in. image โฃ
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๐˜š๐˜•๐˜œ๐˜๐˜ ๐˜›๐˜ˆ๐˜’๐˜Œ๐˜™ ๐˜ˆ๐˜•๐˜‹ ๐˜Ž๐˜๐˜• ๐˜๐˜๐˜Œ๐˜•๐˜‹โฃ
2026โฃ
ink on paperโฃ
18 x 12 in. imageโฃ
๐Ÿ”ด โฃ
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๐˜›๐˜–๐˜‰๐˜  ๐˜‘๐˜œ๐˜Ž (๐˜‹๐˜™๐˜ˆ๐˜ž๐˜๐˜•๐˜Ž)โฃ
2026โฃ
watercolour on paperโฃ
20 x 16 in. imageโฃ
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Dm for details or link in bioโฃ
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Photos from Norberg Hall's post 10/02/2026

SoothSayers, Two-Faced Posset Pot with Breast Ladle ๐Ÿบโฃ
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๐˜š๐˜ฐ๐˜ฐ๐˜ต๐˜ฉ๐˜š๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ด is an experimental, collaborative project by ๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌ and ๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—ž that draws on a shared love of folkloric and pagan traditions, 17th- and 19th-century ceramic drinking vessels, and their ancestral ties to Scotland and England.โฃ
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Central to the exhibition is the ๐˜›๐˜ธ๐˜ฐ-๐˜๐˜ข๐˜ค๐˜ฆ๐˜ฅ ๐˜—๐˜ฐ๐˜ด๐˜ด๐˜ฆ๐˜ต ๐˜—๐˜ฐ๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ต ๐˜“๐˜ข๐˜ฅ๐˜ญ๐˜ฆ, a collaborative work created by Mullock and Montgomery during their residency at Medalta in the winter of 2025. Each artist formed one side of the vessel as a portrait of the other, creating a reciprocal portrait that embodies the collaborative exchange at the heart of SoothSayers.โฃ
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Inspired by old farewell songs and ballads rooted in communal drinking customs, the exhibition unfolds as a call-and-response, inviting participants to gather and enter an improvised ritual involving ceramics, performance, cake, and costume. The ๐˜›๐˜ธ๐˜ฐ-๐˜๐˜ข๐˜ค๐˜ฆ๐˜ฅ ๐˜—๐˜ฐ๐˜ด๐˜ด๐˜ฆ๐˜ต ๐˜—๐˜ฐ๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ต ๐˜“๐˜ข๐˜ฅ๐˜ญ๐˜ฆ sits between sculpture, portrait, prop, and ceremonial vessel, becoming both an artwork and an active participant in the collective performance.โฃ
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๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌ + ๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโฃ
๐˜š๐˜ฐ๐˜ฐ๐˜ต๐˜ฉ๐˜š๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ด, ๐˜›๐˜ธ๐˜ฐ-๐˜๐˜ข๐˜ค๐˜ฆ๐˜ฅ ๐˜—๐˜ฐ๐˜ด๐˜ด๐˜ฆ๐˜ต ๐˜—๐˜ฐ๐˜ต ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜‰๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ต ๐˜“๐˜ข๐˜ฅ๐˜ญ๐˜ฆโฃ
2025โฃ
glazed earthenwareโฃ
Pot | 23 x 16 x 16 in.โฃ
Ladle | 18.5 x 4 7/8 x 4 3/4 in.โฃ
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๐Ÿ“ธ:

Yvonne Mullock

09/29/2026

September 30th marks a solemn time for reflection, remembrance, action, and learning.

In observance of the National Day for Truth and Reconciliation, the gallery will pause and remain closed for the day.

๐Ÿงก

Photos from Norberg Hall's post 09/25/2026

๐ŸŒพ๐—–๐—”๐—ฅ๐—ฅ๐—œ๐—˜ ๐—”๐—Ÿ๐—Ÿ๐—œ๐—ฆ๐—ข๐—ก | Daphne Art Centre, Montreal โฃ๐ŸŒพ
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Weโ€™re thrilled to share that Carrie Allisonโ€™s solo exhibition, โ€œIonkwรก:re Aiakwatenโ€™nikรณn:raren / We Tend to Careโ€, curated by Franchesca Hebert-Spence, is currently on view at ๐˜ฅ๐˜ข๐˜ฑ๐˜ฉ๐˜ฏ๐˜ฆ in Montrรฉal through December 12, 2026. If youโ€™re in Montreal, please donโ€™t miss it! โฃ
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Carrie Allison (nรชhiรฝaw/Mรฉtis/mixed European descent and member of the Manitoba Mรฉtis Federation) is a multidisciplinary visual artist based in Kโ€™jipuktuk, Miโ€™kmaโ€™ki (Halifax, Nova Scotia). She was the 2020 recipient of the Melissa Levin Award from the Textile Museum of Canada and was long listed for the 2024 and 2021 Sobey Art Award. Her work has been exhibited nationally and internationally. Franchesca Hebert-Spence (Anishinaabe) is the inaugural Curator of Indigenous Ceramics at the Gardiner Museum, and has had major curatorial roles in galleries across Canada.โฃ
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Photos from Norberg Hall's post 09/17/2026

๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌโ€™s Staffy Cats Stirrup Cups ๐Ÿˆ๐Ÿˆ๐Ÿˆโ€โฌ›๐Ÿˆโ€โฌ›โฃ
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Currently apart of ๐˜š๐˜ฐ๐˜ฐ๐˜ต๐˜ฉ๐˜š๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ดโฃ โฃ
๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌ + ๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโฃ
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๐—Ÿ๐—œ๐—ก๐—žโฃ
๐—œ๐—ก ๐—•๐—œ๐—ขโฃ
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โ€œHandmade cups of kittens, goblins, mushrooms and fingers, character toby jugs and a large punch bowl bearing abstract portraits of each other serve as symbolic intermediaries; they function as mouths that speak, faces that witness, and bodies that hold ritual. Activated through touch, exchange, and use, these objects blur the boundary between tool and performer, accumulating new meanings with each gathering.โ€ ~ exhibition text Maia Stark โฃ
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๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌโฃ
๐˜š๐˜ต๐˜ข๐˜ง๐˜ง๐˜บ ๐˜Š๐˜ข๐˜ต๐˜ด ๐˜š๐˜ต๐˜ช๐˜ณ๐˜ณ๐˜ถ๐˜ฑ ๐˜Š๐˜ถ๐˜ฑ๐˜ด:โฃ (sold as set)โฃ
(L-R)โฃ
1
2 ๐Ÿ”ด โฃ
3 ๐Ÿ”ดโฃ
4 ๐Ÿ”ด โฃ
2026โฃ
tin-glazed earthenwareโฃ
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Dm for details or link in bioโฃ
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09/16/2026

๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโ€™s Finger Stirrup Cups ๐Ÿ‘โ˜๏ธ๐Ÿซตโฃ
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Currently apart of ๐˜š๐˜ฐ๐˜ฐ๐˜ต๐˜ฉ๐˜š๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ดโฃ โฃ
๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌ + ๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโฃ
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๐—Ÿ๐—œ๐—ก๐—žโฃ
๐—œ๐—ก ๐—•๐—œ๐—ขโฃ
โฃ
โ€œHandmade cups of kittens, goblins, mushrooms and fingers, character toby jugs and a large punch bowl bearing abstract portraits of each other serve as symbolic intermediaries; they function as mouths that speak, faces that witness, and bodies that hold ritual. Activated through touch, exchange, and use, these objects blur the boundary between tool and performer, accumulating new meanings with each gathering.โ€ ~ exhibition text Maia Stark โฃ
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๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโฃ
Finger Stirrup Cups:โฃ
(L-R)โฃ
๐˜—๐˜ฆ๐˜ต๐˜ฆ๐˜ณ ๐˜—๐˜ฐ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ ๐Ÿ”ด โฃ
๐˜‰๐˜ข๐˜ฃ๐˜บ ๐˜š๐˜ฎ๐˜ข๐˜ญ๐˜ญ ๐Ÿ”ด โฃ
๐˜›๐˜ฐ๐˜ฃ๐˜บ ๐˜›๐˜ข๐˜ญ๐˜ญ โฃ
๐˜™๐˜ถ๐˜ฃ๐˜บ ๐˜™๐˜ช๐˜ฏ๐˜จ ๐Ÿ”ด โฃ
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2026โฃ
tin-glazed earthenwareโฃ
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Dm for details or link in bioโฃ
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Mullock

Photos from Norberg Hall's post 09/11/2026

๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโ€™s ๐˜Ž๐˜ช๐˜ง๐˜ต ๐˜๐˜ฐ๐˜ณ๐˜ด๐˜ฆ ๐Ÿดโฃ
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Apart of ๐˜š๐˜ฐ๐˜ฐ๐˜ต๐˜ฉ๐˜š๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ดโฃ byโฃ
๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌ + ๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโฃ
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๐—Ÿ๐—œ๐—ก๐—žโฃ
๐—œ๐—ก ๐—•๐—œ๐—ขโฃ
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๐•˜๐•š๐•—๐•ฅ ๐•™๐• ๐•ฃ๐•ค๐•–, a pantomime horse costume dyed with rhubarb leaf, mushroom, beetroot, horsetails & goldenrod flowers. Made with silk-chiffon, the performers inside are visible to audiences, allowing all aspects of their synchronized and negotiated movement seen. Prancing, scrutinizing and playing the fool, ๐•˜๐•š๐•—๐•ฅ ๐•™๐• ๐•ฃ๐•ค๐•– feeds into Mullocks ongoing interest into puppetry, natural dye processes and the fascinating history of pantomime horses in theatre, ballet, films, childrenโ€™s TV shows. โฃ
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๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโฃ
๐˜Ž๐˜ช๐˜ง๐˜ต ๐˜๐˜ฐ๐˜ณ๐˜ด๐˜ฆโฃ
2026โฃ
Silk chiffon, cotton/linen, thread, alpaca wool stuffing, hand-dyed w/ natural dyes: Rhubarb leaf, mushrooms, beetroot & golden rodโฃ
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09/11/2026

๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌโ€™s ๐˜Ž๐˜ณ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜™๐˜ช๐˜ท๐˜ฆ๐˜ณ ๐Ÿ„๐Ÿ‘น๐Ÿ„โฃ
____________________________โฃ
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Currently apart of ๐˜š๐˜ฐ๐˜ฐ๐˜ต๐˜ฉ๐˜š๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ดโฃ โฃ
๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌ + ๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโฃ
โฃ
๐—Ÿ๐—œ๐—ก๐—žโฃ
๐—œ๐—ก ๐—•๐—œ๐—ขโฃ
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๐˜Ž๐˜ณ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜™๐˜ช๐˜ท๐˜ฆ๐˜ณโฃ
As part of my recent Despairware series of figurines inspired by 19th century Staffordshire figurines, books of demonology, and deeply personal memories of my childhood in the Canadian hinterland, Green River re-imagines the commonly depicted image of young lovers. It reimagines this traditional pastoral image to one celebrating the strong and complex bonds of adolescent girls through infusing the image with my own memories of tripping out in the woods naked with my girlfriends when I was a teen suggesting an alternative feminist idea of the Canadian pastoral. โฃ
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๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌโฃ
๐˜Ž๐˜ณ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜™๐˜ช๐˜ท๐˜ฆ๐˜ณโฃ
2024โฃ
glazed earthenwareโฃ
13.5 x 8.5 x 17.5 in.โฃ
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Dm for details or link in bioโฃ

Photos from Norberg Hall's post 09/04/2026

A huge thank you to everyone who came out last night for an unforgettable performance with the incomparable ๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—ž + ๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌ. What a night! โฃ
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But weโ€™re not done yet! โฃ
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Please join us ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜†, ๐—ฆ๐—ฒ๐—ฝ๐˜๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฑ from 2โ€“3 PM for an artist talk and tour of ๐˜š๐˜ฐ๐˜ฐ๐˜ต๐˜ฉ๐˜š๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ด with Yvonne and Lindsay. Come hear more about the ideas, rituals, histories, humour, and collaboration behind the exhibition.โฃ
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๐Ÿ‘บ๐ŸงŒ๐˜š๐˜ฐ๐˜ฐ๐˜ต๐˜ฉ๐˜š๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ดโฃ ๐Ÿฐ ๐Ÿˆโ€โฌ›โฃ
๐—Ÿ๐—œ๐—ก๐——๐—ฆ๐—”๐—ฌ ๐— ๐—ข๐—ก๐—ง๐—š๐—ข๐— ๐—˜๐—ฅ๐—ฌ + ๐—ฌ๐—ฉ๐—ข๐—ก๐—ก๐—˜ ๐— ๐—จ๐—Ÿ๐—Ÿ๐—ข๐—–๐—žโฃ
โฃ
๐—”๐—ฅ๐—ง๐—œ๐—ฆ๐—ง Sat Sept 5 | 2 - 3 pmโฃ
๐—ง๐—”๐—Ÿ๐—ž โฃ Refreshments servedโฃ
โฃ
See you soon!

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