Vienna Secession
THE OFFICIAL SITE OF THE ASSOCIATION OF VISUAL ARTISTS VIENNA SECESSION In keeping with the motto that adorns its facade—“To each era its art.
To art its freedom.”—the Secession hosts an international program that explores current forms of artistic expression in solo and themed exhibitions. It is a sounding board for the aesthetic and critical discourses on art, culture, and society that define our era and keenly aware of their political significance. The Secession is an important forum for young experimental art, but its mission also en
31/07/2026
Don't miss it!
Onyeka Igwe
No Archive Can Restore this Chorus of (Diasporic) Shame
12.6. – 30.8.2026
Photo: Sophie Pölzl
30/07/2026
Don't miss it!
Katherine Hubbard
The Great Room
12.6. – 30.8.2026
Photo: Iris Ranzinger
29/07/2026
Don't miss it!
Mire Lee
The Heart of My Machine is Golden Lead
26.6. – 26.8.2026
Photo: Iris Ranzinger
27/07/2026
Tuesday, 28.7.2026, 8 pm
Cicadas Collective & Yein Lee
Dispaused Script
This event is part of the Tuesday@Secession series and takes place in the Secession garden. The bar will be open from 6 pm. In the event of rain, the programme will take place indoors.
Cicadas Collective presents a story emerging in space made in collaboration with Yein Lee. “Dispaused Script” is a live storytelling unfolding in a staged setting. The writing is informed by the memories of the sister of one of the artists, a former s*x worker who was performing as a karaoke hostess. Through the mythical figure of the mermaid, which serves as a metaphor for the fantastical attributes projected on the s*x industry, the work explores the act of taking care of each other. By simulating particular emotional states, the use of special-effects machines reproduce the hyperreal figure of the mermaid worker and serve as narrators of the story.
Extending Cicadas Collective’s ongoing interest in cinema as well as Yein Lee’s interest in ephemerality and spatial instability, the presentation involves special effects such as smoke, fog, light, and snow, as protagonists. Situated on stage, these devices assume agency, presence and bodies of their own, unfolding in dialogue with the reading.
The artist talk will be in English.
25/07/2026
Thank you to everyone who joined us on Tuesday for Negative Bodies by Nisrine Boukhari as part of our Tuesday@Secession series.
Through a powerful performative reading, Boukhari reflected on exile and the systems that reduce human presence to documents, permissions, and categories. Negative Bodies explored how some bodies are made hyper-visible through suspicion, bureaucracy, and the constant demand to prove belonging.
Thank you to Nisrine Boukhari for sharing this moving work, and to everyone who came, listened, and took part in the conversation.
Artists Katherine Hubbard and Sophie Thun explore how Hubbard's work is positioned within q***r feminist art and critically engages with the tradition of analogue photography.
How do you capture the inner life of a person whose reality no longer aligns with the outer world? And how do you remain in relation to someone who is both intimately familiar and irreversibly changing?
Katherine Hubbard began her five-year project The Great Room in 2020, at the onset of the Covid-19 pandemic, when her mother, Antonette Berger, became increasingly unwell and the artist became her primary caretaker. It took several months in a time of anxiety and isolation until Berger was diagnosed with LATE (limbic-predominant age-related TDP-43 encephalopathy), a form of dementia. Hubbard has described this diagnosis as both necessary and insufficient: a gesture towards control and classification that ultimately fails to grasp the lived, shifting reality of her mother’s condition. It is precisely this gap that the project inhabits.
Available on our website, Spotify, Apple Podcasts and Google Podcasts.
Dorotheum is the exclusive sponsor of the Secession Podcasts.
20/07/2026
Tuesday, 21.7.2026, 8 pm
Nisrine Boukhari
Negative Bodies
This event is part of the Tuesday@Secession series and takes place in the Secession garden. The bar will be open from 6 pm. In the event of rain, the programme will take place indoors.
“Negative Bodies” is a short performative reading by Nisrine Boukhari. Through fragmented language, the work reflects on exile and the systems that reduce human presence to documents, proofs, permissions, and categories. The negative body is not invisible. It is often hyper-visible, but through suspicion, projection, documentation, and administrative imagination. It appears as a lack, a question, a file waiting to be completed, a disturbance in the grammar of belonging. The negative body is the one asked to prove itself repeatedly because its presence is already treated as insufficient.
The artist talk will be in English.
17/07/2026
Last Tuesday, the Secession garden became a space for drawing, erasing, and collective experimentation with lossy.club by Seth Weiner.
Participants used ephemeral digital lines that appeared, shifted, and disappeared across the Secession façade, exploring memory, touch, and the materiality of the screen. The evening concluded with a conversation with the artist about the work and its ideas.
Thank you to everyone who joined us for this edition of Tuesday@Secession.
15/07/2026
This summer, we're also welcoming you to the LVDWIG Garden Bar at Secession.
Enjoy Prosecco on tap, spritzes, wine, beer, Veganista ice cream, light snacks, and selected football matches in the garden.
Friedrichstraße 12, 1010 Vienna
Tuesday–Saturday, 4–11 pm
30 June – 11 September
14/07/2026
1.8.2026, 2 pm
Korean Cultural Center Autria
Mire Lee, Women I loved 내가 사랑한 여자들
Exhibition tour and conversation with .giannouras
The film works presented in Women I loved 내가 사랑한 여자들 offer a series of personal and candid images of women in Mire Lee’s life. In different ways, they all occupy an important place in the artist’s work and, at the same time, reveal the complex interconnections between morality, love, and violence in the present.
Following the exhibition tour with Secession curator Haris Giannouras, there will be an informal discussion about the accompanying exhibition publication.
The tour is free of charge. No registration required.
Photo: Iris Ranzinger
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