KriyAbility

KriyAbility

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We are trained to see ability, beauty, talent in a conventional format.

KriyAbility aspires to challenge these conventions and encourage a broader mindset in inclusive performing arts. Exploring and expanding #inclusivity through workshops, talks, interactive sessions for people with disabilities/specialneeds/disorders

25/02/2026

figuring out and training in dancing with a disability

11/01/2026

The process of trusting process…

Photos from KriyAbility's post 12/11/2025

Fun. Frustrating. Fierce….but all worth it!

14/10/2025

“I promise, Ancy, I’ll get on that stage and perform today - even if I have to crawl to my spot.”

My dancer in a wheelchair didn’t say this because I doubted him; he said it because I had just lost all calm when volunteers came running moments before the performance to inform us that there was no ramp to access the stage.
The previous evening, the group was promised that the ramp would be up.

This, at an event that had known for weeks that a group of 11 would be performing.
An opportunity the organisers had extended to us when we were simply dancing with other priorities, minding our own business.

The chaos began right from the start. The entry of this group of performers and accompanying caretakers - badly organised.
The only ramp to enter the venue was blocked by a registration table with five or six people sitting behind it, obstructing access.

The first waiting area we were sent to had exposed construction material.
The second had food spilt across tables and the floor, which a dozen of us with varying disabilities had to step or wheel around.

There were these security personnel and volunteers with organizer badges who urgently require serious training in common sense and basic etiquette.

The emcee called the performance without a proper heads up which meant the dancers with their parents and I had to rush from the seating area to the stage. Don’t get me started on the ridiculous use of words like angels, blessed children, touching performance, etc. to describe the dance presentation.

To access the stage, a dozen people rushed in to lift the dancer with his wheelchair despite the mother repeatedly requesting them not to, warning that it could cause the chair to dismantle. They lifted anyway. The intention was right, but executed wrong and carelessly.

This is the second year this organiser has invited us to perform, and I happened to be involved as the choreographer.
They don’t allow a tech rehearsal, which means I never know what lighting or audio levels my dancers with disabilities will face - we figure it out on stage!

I am sure they feel proud about “giving stage time” to people of determination.
And
Did my dancers do well? Absolutely.
Did they have fun? Yes.
Were the organisers apologetic to the dancer in the wheelchair and his family for not having a ramp? Also yes.

However, they still only acknowledged one particular visible struggle - not the dozen other ways they failed to be inclusive.

The certificates and snack boxes distributed to the dancers post-performance are appreciated, but let’s be honest:
You got the basics of terribly, terribly wrong!

06/03/2025

Hmmm…where do I start? I am all for sharing the process and not just spotlighting the performance but there are tons of times the over-critical side of me gets in the way of sharing glimpses of what training in looks like, for me, with .
I was firmly reminded to be true to what I stand for in advocating for opportunities in dance for people with . Thanks Shruthi Rameshan.

I am awfully upset with myself here for a ton of things from missing classes, not practicing regularly, weight gain, and much more. Storytelling through expressions is a challenge while moving during the piece focused on balance and controlling the stammers, especially when walking. For a long time, I did not move from one spot and was focused on expressions alone to tell the story. It was easier to not move than to find ways to use my authentic movement patterns within classical dance. This can turn into a chapter. I'll stop.

As always - grateful for the space I have at Spanda to come home to train the body and mind in dance, and to Puja Unni and Majeesha - thank you for the patience and support as I figure this out.

Not using any popular music in the background for reach. No filter. Not waiting for another class video with a better angle. The process of training in with a as is.

27/09/2024

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