Triangle NYC

TODAY & TOMORROW! 🎉Spring Open Studios 🎉 1-6 PM

20 Jay St, Suite 318
Brooklyn NY 11201

Hosted in conjunction with Open Studios 2026

Featuring our Spring Artists-in-Residence: Serena Chang, Christopher Paul Jordan, Mev Luna, and Yixuan Wu

Image 1: Christopher Paul Jordan daytime moon meets morning star, 2025, Acrylic on drywall (mural), 72 x 54
inches

Image 2: Serena Chang Drainage, 2025, Wood, paper, pigment, PVA adhesive, acrylic, clear coat, power supply,
speakers, amplifier, monitor, media player, steel 15" x 16" x 5”

Image 3: Yixuan Wu soft congee, still waters, 2022, blown glass, cast iron radiator, rice, millet, round tubes, lemon
cream cracker, glazed tile and cactus, 28x50x33 inches.

Image 4: Mev Luna Slow Abandon, 2024. Two-room installation, extension cords, metal chair, metal cart, cardboard,
beam splitting glass, rocks. 2ft x 8ft. Installation view, Cobertizo Residency. Jilotepec, México.

THIS WEEKEND! 🌼Spring Open Studios 🌼 Saturday, April 18th & Sunday, April 19th, 1-6 PM

Hosted in conjunction with Open Studios 2026

Featuring our Spring Artists-in-Residence: Serena Chang, Christopher Paul Jordan, Mev Luna, and Yixuan Wu

20 Jay St, Suite 318
Brooklyn NY 11201

Image: Serena Chang Untitled (Item #:TS-132), 2020-2024, wood, paper, pigment, PVA adhesive, acrylic , 16 x 19 x 4
inches

Serena Chang is an artist based in Queens, New York. Her work explores the language and aesthetics of the
global economy and how systems of labor, manufacturing, and cultural exchange shape identity. Through
video, sound, photography, sculpture, textile, and installation, her interdisciplinary practice weaves together
memory, familial histories, and craftsmanship.

This Week! 💐Spring Open Studios 💐 Saturday, April 18th & Sunday, April 19th, 1-6 PM

Hosted in conjunction with Open Studios 2026

Featuring our Spring Artists-in-Residence: Serena Chang, Christopher Paul Jordan, Mev Luna, and Yixuan Wu

20 Jay St, Suite 318
Brooklyn NY 11201

Image: Yixuan Wu so I gathered (detail view), 2023, blown glass, wood, enamel paint, hanging mesh, dried garlic
skin, 16 x 16 x 59 inches.

Yixuan Wu, visual artist, currently lives and works in New York. She received a MFA degree in Visual Arts
from Columbia University and a BFA degree in Photography from Rhode Island School of Design. Her
practice centers on domesticity—the elusive, restrained and sometimes unsettling emotional responses tied
to intimate spaces. She’s particularly intrigued by things that appear one way but being quite another,
especially things that satisfy the needs for comfort, care, affirmation and protection. Wu’s recent projects
revolve around her time as a caregiver for a family member. The works examine the notion of displacement
through her recreation of questioned comforts, delving into the complexities of sensory deprivation related
to memory loss. Often inspired by therapeutic activities designed to compensate for memory loss, her
sculptural arrangements piece together recurring elements and motifs reminiscent of environmental
enhancements found in senior care facilities.

*SAVE THE DATE* Triangle Alumni Party
🥳
Sunday, May 31, 2-5pm
Save the date for our Triangle Alumni Party
at the Flatbush, Brooklyn home of Triangle Executive Director Nova Benway.
RSVP @ LINK IN BIO

DON'T MISS IT! 🌷Spring Open Studios🌷 Saturday, April 18th & Sunday, April 19th, 1-6 PM

20 Jay St, Suite 318
Brooklyn NY 11201

Featuring our Spring Artists-in-Residence: Serena Chang, Christopher Paul Jordan, Mev Luna, and Yixuan Wu

Mev Luna is a research-based artist and educator whose practice spans performance, film, 3-D animation,
installation and text. Through an autoethnographic methodology, their work reappraises history to identify
fictions governing contemporary life and considers issues of institutional access, incarceration, and how
images of marginalized groups are circulated and controlled. They use obfuscation and disclosure in
tandem to navigate audiences through complex narratives, and draw upon multiple registers—sight, sound,
and emotion—to convey meaning in conjunction with historical context, research, and archival materials. In
particular, their practice embraces relational citations, incorporating the voices of family and community
members alongside theorists and scholars.

Image: Mev Luna Action Office Was Meant to be About Movement II, 2020. “Empathy Fatigue,” Andrew Rafacz
Gallery, Chicago. Metal frame, privacy film, glass, sterling silver, luna moth
wings. 80" H x 70" W x 44" D.

SAVE THE DATE 📅 Spring Open Studios 🌸 Saturday April 18th & Sunday 19, 1-6 PM.

Featuring our Artists-in-Residence:
Serena Chang, Christopher Paul Jordan, Mev Luna, and Yixuan Wu

Image: Christopher Paul Jordan a fix, 2022, acrylic on window screen, 96 x 65 inches

Born in Tacoma WA (1990), Christopher Paul Jordan is a painter and public artist who investigates the
afterlife of memory, simulating conditions of removal to reexamine human relationships. Lacing salvaged
textiles such as window screens and debris netting with acrylic paint, Jordan separates his images from
their original surfaces while generating new histories from the traces they leave behind. Through parallel
practices in performance, installation, and sculpture, his inquiries are repeatedly embedded in public space.
Jordan is a Leslie Lohman Museum Fellow, A Queer|Art Fellow and holds an MFA in Painting and
Printmaking from the Yale School of Art.

SAVE THE DATE 🎨Spring Open Studios on Saturday, April 18th & Sunday, April 19th, 1-6 PM

Hosted in conjunction with Open Studios 2026

Featuring our Spring Artists-in-Residence: Serena Chang, Christopher Paul Jordan, Mev Luna, and Yixuan Wu

[Image 1] Yixuan Wu , so I gathered (detail view), 2023, blown glass, wood, enamel paint, hanging mesh, dried garlic
skin, 16 x 16 x 59 in.

[Image 2] Christopher Paul Jordan , glare in faison, 2025, Acrylic on panel in salvaged aluminum window frame, 52 x
64 in.

[Image 3] Serena Chang , Drainage, 2025, Wood, paper, pigment, PVA adhesive, acrylic, clear coat, power supply,
speakers, amplifier, monitor, media player, steel 15 x 16 x 5 in

[Image 4] Mev Luna , Action Office Was Meant to be About Movement II, 2020. “Empathy Fatigue,” Andrew Rafacz
Gallery, Chicago. January 10 – February 22, 2020. Metal frame, privacy film, glass, sterling silver, luna moth
wings. 80 H x 70 W x 44 D in

⭐Introducing our new spring season residents! Serena Chang, Christopher Paul Jordan, Mev Luna, and Yixuan Wu ⭐

Serena Chang's (serenacserenac) work explores the language and aesthetics of the global economy and how systems of labor, manufacturing, and cultural exchange shape identity. Through video, sound, photography, sculpture, textile, and installation, her interdisciplinary practice weaves together memory, familial histories, and craftsmanship.

Christopher Paul Jordan () is a painter and public artist who investigates the afterlife of memory, simulating conditions of removal to reexamine human relationships. Lacing salvaged textiles such as window screens and debris netting with acrylic paint, Jordan separates his images from their original surfaces while generating new histories from the traces they leave behind.

Yixuan Wu's () practice centers on domesticity—the elusive, restrained and sometimes unsettling emotional responses tied to intimate spaces. She’s particularly intrigued by things that appear one way but are quite another, especially things that satisfy the needs for comfort, care, affirmation and protection.

Mev Luna () is a research-based artist and educator whose practice spans performance, film, 3-D animation, installation and text. Through an autoethnographic methodology, their work reappraises history to identify fictions governing contemporary life and considers issues of institutional access, incarceration, and how images of marginalized groups are circulated and controlled.

[Image 1] Portrait of Serena Chang
[Image 2] Serena Chang, Us, 2024-2025, Hourglass, sand, steel, hosiery, motor, arduino, hosiery cardboard boxes, 20" x
20" x 32”
[Image 3] Portrait of Christopher Paul Jordan
[Image 4] Christopher Paul Jordan, glare in faison (detail), 2025, Acrylic on panel in salvaged aluminum window
frame, 52 x 64 inches
[Image 5] Portrait of Yixuan Wu
[Image 6] Yixuan Wu, luminous air, 2023, blown glass, swing arm wall lamps, latex ceiling patch, 29 x 18 x 19 inches.
[Image 7] Portrait of Mev Luna
[Image 8] Mev Luna, Far from the distance we see, film still, 2019. 3-D animation rendered in Autodesk Maya.

JOIN US TOMORROW! ⭐Winter Open Studios⭐ Thursday, 2/5, 6-8 PM
Artists-in-Residence: Andrew Ordonez, Jie Shao, Chang Yuchen, and Camila Galaz.

20 Jay St, Suite 318
Brooklyn NY 11201

Image: Andrew Ordonez Spawn, 2023 Steel tubing, fabric, chalk, rubber, polymer clay, and magazine clippings
embedded in cement slab. 22 x 17 x 1 inches.

Andrew Ordonez () (b. 1991, Fort Worth, TX) is a New York City–based visual artist working across sculpture, installation, and video. He employs aggregate assemblage to investigate processes of disintegration and the shifting role of the artifact. Through acts of material preservation and erasure, he draws upon—and subverts—systems of archaeology to examine the physical and spiritual manifestations of time. Ordonez develops a visual lexicon that explores fossilization, hauntology, and q***r ecology. His work engages the politics of humor and horror to unsettle the logics, loops, and lineages of the human and post-human condition.

⭐Winter Open Studios⭐ Thursday, 2/5, 6-8 PM
Artists-in-Residence: Andrew Ordonez, Jie Shao, Chang Yuchen, and Camila Galaz.

20 Jay St, Suite 318
Brooklyn NY 11201

Image: Camila Galaz, Reparar Means to Repair, 2018, Video artwork installation

Camila Galaz () is a multimedia artist, filmmaker, writer, and researcher based in New York. Through her work she reconsiders and uncovers underrepresented narratives in digital culture and media archives. Her projects have engaged with institutions such as the Media Archaeology Lab, New Museum, Nieuwe Instituut, National Communications Museum, MIT, and Rhizome, combining experimental storytelling, archival research, and a semiotic visual lens to create personal and critical dialogue about technology’s role in shaping memory, identity, and culture. From 2021–2024 she co-hosted the tech history podcast "Our Friend the Computer" and in 2024 co-founded the “Superkilogirls” creative research lab exploring histories of marginalized tech labor and connections to modern computing infrastructures.

⭐Winter Open Studios⭐ Thursday, 2/5, 6-8 PM
Artists-in-Residence: Andrew Ordonez, Jie Shao, Chang Yuchen, and Camila Galaz.

20 Jay St, Suite 318
Brooklyn NY 11201

Chang Yuchen () in an interdisciplinary manner -- writing as weaving, drawing as translation, teaching as hospitality, commerce as social experiment (see Use Value) and publishing as a dandelion spreading its seeds.

Camila Galaz () is a multimedia artist, filmmaker, writer, and researcher based in New York. Through her work she reconsiders and uncovers underrepresented narratives in digital culture and media archives.

Andrew Ordonez () is a New York City–based visual artist working across sculpture, installation, and video. He employs aggregate assemblage to investigate processes of disintegration and the shifting role of the artifact.

Jie Shao () is an artist based in New York and Shanghai. Informed by the experience of displacement, he redirects his questions of identity into an ongoing observation of physical materials—how they are deformed, standardized, and consumed to adapt and respond to the shifting cultural and geographic landscapes.

1. Chang Yuchen, Coral Dictionary, 2022, Vol 1, 2019-2021 (paperback), published by Gong Press, open edition, 2.5 x 5 x 1 in.
2. Camila Galaz, Hasta Carmen (The flights are booked solid. Hope you don’t mind coach.), 2021, drawing and
digital collage.
3. Andrew Ordonez, HEAD de-archival feed, 2024. birch plywood, 16 mm celluloid film, resin cast of
cabbage, vegetable oil, 16 mm Eiki film projector, found material 49 x 49 x 87 in. (other dimensions
vary)
4. Jie Shao, Bolts, 2022. Cast brass, graph paper, RS Rhodes & LB Cook, Basic Engineering Drawing (London:
Pitman Books, 1975) P38. Various dimensions.