Horror Movie Homework

YOU HAVE THE RIGHT TO REMAIN SILENT...FOREVER!

He's on duty, and he means business. Here's an official look at our upcoming Maniac Cop figure, which will be joining Scream Greats in Series 3.

Coming in 2026!

45 Years of Scanners

Released 45 years ago, Scanners rewired audiences with mind-melting body horror and pure shock value. Directed by David Cronenberg, the film pushed psychic terror into the mainstream—and delivered one of the most infamous head-exploding moments in cinema history. Nearly half a century later, its impact still hits hard.

The 100 Greatest (Nastiest, Vilest, Repugnantist(?) ) Grindhouse Movies of All Time: #15: "LAST HOUSE ON A DEAD END STREET" (aka "The Funhouse, 1973)

Writing this with a Misfits 45 on repeat, playing at 78 RPM, needle grinding blood into the vinyl.

This thing doesn’t play like a movie so much as it crawls out of the projector and chunky bile pukes on your shoes. "Last House on a Dead End Street" is what happens when cinema gets fired from the factory, steals a camera, and starts settling scores with the human race. No polish. No safety rails. Just grain, rot, and the sound of something wrong breathing behind the wall.

Roger Watkins shoots like he hates you personally, like the lens itself has a vendetta. The plot is skid-row TDs: a deranged filmmaker making deranged films inside a deranged film, po*******hy and murder slopping together until the distinction evaporates. Is it a movie about exploitation? Is it exploitation about movies? Who cares, by the time you ask, the floor’s already sticky.

The acting is anti-acting. People don’t perform so much as exist badly in front of the camera, which somehow makes it worse. There’s no catharsis, no moral release valve, no “lesson learned.” Just cruelty rendered with the flat, dead stare of surveillance footage from hell. This is grindhouse stripped of its carnival barkers and neon bu****it... pure back-alley nihilism, shot like evidence.

Watching it feels like you’ve stumbled into a locked room where something illegal is happening and the door won’t open. It’s ugly, mean, technically busted, and absolutely uninterested in your comfort. Which is exactly why it matters.

If most horror films want to scare you, "Last House on a Dead End Street" wants to contaminate you. It doesn’t scream “BOO.” It mutters “this is what we are” and lets the silence do the rest.
Turn it up too loud, and it doesn’t get scarier... it gets truer.

Supposedly this is what remains of the original 3-hour project titled "THE CUCKOO CLOCKS OF HELL" before the distributors hacked it to this. Supposedly he directed the whole thing while on amphetamines (and it shows). Following this, Watkins spent the rest of his career making p**n films in NYC. It's a living.

With Kyll’s Crypt of Horror – I'm on a streak! I've been a top fan for 4 months in a row. 🎉