Fior art studio

Sometimes, the process begins outside the studio—in the mountains—collecting natural materials and found objects. I can’t wait to be back in the mountains this summer. 🌱

First Breath. A vessel, a pressurized body, begins to release, revealing what lies within.

Stoneware
Found blue glass
High firing
Glaze inside
H 27 cm

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Thrilled to announce that two of my vessels have been selected for the upcoming 1000vases exhibition during Paris Design Week

📍Paris, 11–13 September 2026

Erosion Study Bowl

White & Black Stoneware

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My practice explores the tension between fragility and endurance, rupture and repair, how matter breaks, remembers, and continues to hold

The straw sutures reference my grandfather, for whom mending was less an act of restoration than of holding together what could never fully return to its original state.

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Two bespoke vessels for to complement the space through texture, form, and materiality—bringing warmth, balance, and a handcrafted presence to the contemporary interior.

I work exclusively by hand, building organic vessels; inspired by Romanian mountains, memory and material experimentation.

My process is both intentional and intuitive and I approach essence through tension, rupture, and material exposure.

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A glimpse into the early stages of the studio process.

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The first piece where I incorporated found objects during my hikes (wild clay, rocks) made me realize I want more material honesty rather than refinement.

| Untitled |

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A dialogue between intention and the unknown ; shaped by ritual, time, resistance.

foto Sabina Costinel