Oped Space Tokyo
博物館付近
Kodaira
東京都武蔵野市緑町１−５−２０第一根岸ビル, Shinjuku-ku
Mitaka
下連雀, Mitaka
東京都武蔵野市吉祥寺本町 3-3-9, Musashino
吉祥寺本町, Musashino
西荻北 3-21-13 B1F, Suginami-ku
下石神井, Nerima-ku
Kawasaki-shi
Kawasaki-shi
Hachioji
谷野町, Hachioji
Hachioji
砧公園, Setagaya-ku
砧公園, Setagaya-ku
コメント
Josue Medina
Mexican, b.2001
Unnamed (2020)
Uncoated photography paper / Black and white Negative film with solarization.
Cuauhtémoc, Ciudad de México (2020)
Uncoated photography paper / Black and white negative film.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
William Winter
United States, b.1985
OCDiva (2017-2020)
recycled porcelain made from used toilets found on Berlin streets, a single-channel video documenting the entire process
various dimensions, 3 minutes and 20 seconds
Boy that really butters my bread (2020)
aluminum, plaster, and acrylic
21cm x 25cm x 31cm
Work Description
OCDiva
In an obsessive act of control over one's environment, a personal story of compulsive behavior was injected into the collective history of urban life. A cycle ensues. Unwanted, uncleaned, and forgotten toilets were collected off the streets of Berlin before being washed, pulverized, and reborn as new porcelain kitchenware.
In collaboration with artist/curators Li Zhenhua and April Gertler, a meal was then cooked and served in these recycled objects at Zhenhua's Big Whale Studio in Berlin.
Boy that really butters my bread
A pound of butter, a broken toaster, and no bread in sight…’Boy that really butters my bread’ plays with the immediate transformation these items take on once their function is removed.
Courtesy the artist.
Jaejoon JangSouth Korea, b.1990
IF THE EARTH WERE A SHAPE OF DONUT(2019)
World map
25in x 25in x 10in
RELATIVITY (2020)
clock and tape
10in x 10in
FLOOR (2019)
banana peel and chewn guml
10in x 8in x 2in
Using the readymade(found object) is similar transition of what we can see in writing a poem. He is interested in the fact that the different kinds of experiences people have in life and therefore attribute to objects. To him, the ready-made with connotations and narratives are very inspiring.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
Jaejoon Jang
South Korea, b.1990
Using the readymade(found object) is similar transition of what we can see in writing a poem. He is interested in the fact that the different kinds of experiences people have in life and therefore attribute to objects. To him, the ready-made with connotations and narratives are very inspiring. Like in DO YOU WANT TO SHARE GUM WITH ME?, there is gum torn in half. It may remind someone of past memory or specific conversation related to that object.Some of his inspirations are mathematical and scientific themes. For example, THE POINCARÉ CONJECTURE is the work inspired by the sentence “Topologist is a mathematician who doesn’t know the difference between a doughnut and a coffee cup!”. LOTTERY TICKET PROJECT($10,000 BONUS CASH) is about the perspective of choice between reason and intuition.Also, his work sometimes deals with duplicity and paradox. MY NOSE WILL GROW NOW shows the paradox which is called the Pinocchio paradox(also known as liar paradox) arises when Pinocchio says "My nose will grow now". If Pinocchio were to say "I am a boy," this could be either true or false, but Pinocchio's sentence "My nose will grow now" can be neither true nor false.
Courtesy the artist.
Jaejoon JangSouth Korea, b.1990
IF THE EARTH WERE A SHAPE OF DONUT(2019)World map25in x 25in x 10in
RELATIVITY (2020)clock and tape 10in x 10in
FLOOR (2019)banana peel and chewn guml10in x 8in x 2in
Using the readymade(found object) is similar transition of what we can see in writing a poem. He is interested in the fact that the different kinds of experiences people have in life and therefore attribute to objects. To him, the ready-made with connotations and narratives are very inspiring.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
THE POINCARÉ CONJECTURE (2019)donut and cup 7in x 3in x 4in
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
Alya Hatta
Malaysian, b.1999
6:30 AM, (2019)
Generative Simulation
Variable Dimensions (video display)
Sushi Queen, (2020)
Oil Paint and Sequins on Canvas
183cm x 183cm (A3 print in the physical show)
That One Weird Teacher with the Sandals, (2019)
Oil Paint, Oil Pastel and Spray Paint on Canvas
180cm x 120cm (A3 print in the physical show)
Jangan Duduk Katak!!! , (2019)
Oil Paint, Oil Pastel and Spray Paint on Canvas
190cm x 210cm (A3 print in the physical show)
I Broke The Mirror, (2019)
Oil Paint and Oil Pastel on Canvas
210cm x 180cm (A3 print in the physical show)
Courtesy the artist.
Sun Missed Connection, 2019
Craigslist AD with Envelopes, return address ‘A Place of Longing”, take away
This poem was written while at an artist residency in Iceland for two wintry months. Written while Willauer was located deep in a fjord, where the mountains circled around him with two
openings on opposite ends, the sea on one side and a winding road on the other. During those
wintry months, the sun never rose above the mountains, only allowing the light to spill over without ever seeing the sun directly. This poem was written in reaction to living in shadow for months and posted on Craigslist in Iceland. It’s a poem for the sun and those in his life that closely resembles its strength and nourishment.
Christopher Willauer (b. 1992) is an interdisciplinary artist, writer, and recovering catholic currently based in Brooklyn, New York. He works primarily through performance, sculpture, video, and text to conceptually engage with the body and the natural world in a reverent and ritualistic manner. In his work, the body functions formally and conceptually as an exploration of anxieties, sorrows, pleasures, eroticism, and queerness. His writing is interested in the poetics of longing, love, and time. Through his use of an abstracted diaristic approach and absurdist philosophy he works to evoke a poetic understanding of desire, home, and vulnerability through his elemental and grotesque imagery.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
Sun Missed Connection, 2019
Craigslist AD with Envelopes, return address ‘A Place of Longing”, take away
This poem was written while at an artist residency in Iceland for two wintry months. Written while Willauer was located deep in a fjord, where the mountains circled around him with two
openings on opposite ends, the sea on one side and a winding road on the other. During those
wintry months, the sun never rose above the mountains, only allowing the light to spill over without ever seeing the sun directly. This poem was written in reaction to living in shadow for months and posted on Craigslist in Iceland. It’s a poem for the sun and those in his life that closely resembles its strength and nourishment.
Christopher Willauer (b. 1992) is an interdisciplinary artist, writer, and recovering catholic currently based in Brooklyn, New York. He works primarily through performance, sculpture, video, and text to conceptually engage with the body and the natural world in a reverent and ritualistic manner. In his work, the body functions formally and conceptually as an exploration of anxieties, sorrows, pleasures, eroticism, and queerness. His writing is interested in the poetics of longing, love, and time. Through his use of an abstracted diaristic approach and absurdist philosophy he works to evoke a poetic understanding of desire, home, and vulnerability through his elemental and grotesque imagery.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
Oped Space is an emerging contemporary art institution with its gallery in Tokyo, Japan.
Established in 2019, Oped Space is an emerging contemporary art institution with its gallery in Tokyo, Japan, and more pop-up spaces. We are generating a well-respected reputation for cultivating the careers of emerging contemporary artists, with a focus on new, forward-thinking innovations as well as non-traditional media.
27/11/2020
Exhibition "Misplaced" Archives
Josue Medina
Mexican, b.2001
Unnamed (2020)
Uncoated photography paper / Black and white Negative film with solarization.
Cuauhtémoc, Ciudad de México (2020)
Uncoated photography paper / Black and white negative film.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
25/11/2020
25/11/2020
25/11/2020
Exhibition "Misplaced" Archives
William Winter
United States, b.1985
OCDiva (2017-2020)
recycled porcelain made from used toilets found on Berlin streets, a single-channel video documenting the entire process
various dimensions, 3 minutes and 20 seconds
Boy that really butters my bread (2020)
aluminum, plaster, and acrylic
21cm x 25cm x 31cm
Work Description
OCDiva
In an obsessive act of control over one's environment, a personal story of compulsive behavior was injected into the collective history of urban life. A cycle ensues. Unwanted, uncleaned, and forgotten toilets were collected off the streets of Berlin before being washed, pulverized, and reborn as new porcelain kitchenware.
In collaboration with artist/curators Li Zhenhua and April Gertler, a meal was then cooked and served in these recycled objects at Zhenhua's Big Whale Studio in Berlin.
Boy that really butters my bread
A pound of butter, a broken toaster, and no bread in sight…’Boy that really butters my bread’ plays with the immediate transformation these items take on once their function is removed.
Courtesy the artist.
11/11/2020
11/11/2020
Exhibition "Misplaced" Archives
Jaejoon JangSouth Korea, b.1990
IF THE EARTH WERE A SHAPE OF DONUT(2019)
World map
25in x 25in x 10in
RELATIVITY (2020)
clock and tape
10in x 10in
FLOOR (2019)
banana peel and chewn guml
10in x 8in x 2in
Using the readymade(found object) is similar transition of what we can see in writing a poem. He is interested in the fact that the different kinds of experiences people have in life and therefore attribute to objects. To him, the ready-made with connotations and narratives are very inspiring.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
11/11/2020
Exhibition "Misplaced" Archives
Jaejoon Jang
South Korea, b.1990
Using the readymade(found object) is similar transition of what we can see in writing a poem. He is interested in the fact that the different kinds of experiences people have in life and therefore attribute to objects. To him, the ready-made with connotations and narratives are very inspiring. Like in DO YOU WANT TO SHARE GUM WITH ME?, there is gum torn in half. It may remind someone of past memory or specific conversation related to that object.Some of his inspirations are mathematical and scientific themes. For example, THE POINCARÉ CONJECTURE is the work inspired by the sentence “Topologist is a mathematician who doesn’t know the difference between a doughnut and a coffee cup!”. LOTTERY TICKET PROJECT($10,000 BONUS CASH) is about the perspective of choice between reason and intuition.Also, his work sometimes deals with duplicity and paradox. MY NOSE WILL GROW NOW shows the paradox which is called the Pinocchio paradox(also known as liar paradox) arises when Pinocchio says "My nose will grow now". If Pinocchio were to say "I am a boy," this could be either true or false, but Pinocchio's sentence "My nose will grow now" can be neither true nor false.
Courtesy the artist.
11/11/2020
Exhibition "Misplaced" Archives
Jaejoon JangSouth Korea, b.1990
IF THE EARTH WERE A SHAPE OF DONUT(2019)World map25in x 25in x 10in
RELATIVITY (2020)clock and tape 10in x 10in
FLOOR (2019)banana peel and chewn guml10in x 8in x 2in
Using the readymade(found object) is similar transition of what we can see in writing a poem. He is interested in the fact that the different kinds of experiences people have in life and therefore attribute to objects. To him, the ready-made with connotations and narratives are very inspiring.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
11/11/2020
Exhibition "Misplaced" Archives
THE POINCARÉ CONJECTURE (2019)donut and cup 7in x 3in x 4in
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
11/11/2020
Exhibition "Misplaced" Archives
Alya Hatta
Malaysian, b.1999
6:30 AM, (2019)
Generative Simulation
Variable Dimensions (video display)
Sushi Queen, (2020)
Oil Paint and Sequins on Canvas
183cm x 183cm (A3 print in the physical show)
That One Weird Teacher with the Sandals, (2019)
Oil Paint, Oil Pastel and Spray Paint on Canvas
180cm x 120cm (A3 print in the physical show)
Jangan Duduk Katak!!! , (2019)
Oil Paint, Oil Pastel and Spray Paint on Canvas
190cm x 210cm (A3 print in the physical show)
I Broke The Mirror, (2019)
Oil Paint and Oil Pastel on Canvas
210cm x 180cm (A3 print in the physical show)
Courtesy the artist.
10/11/2020
Exhibition "Misplaced" Archives
Sun Missed Connection, 2019
Craigslist AD with Envelopes, return address ‘A Place of Longing”, take away
This poem was written while at an artist residency in Iceland for two wintry months. Written while Willauer was located deep in a fjord, where the mountains circled around him with two
openings on opposite ends, the sea on one side and a winding road on the other. During those
wintry months, the sun never rose above the mountains, only allowing the light to spill over without ever seeing the sun directly. This poem was written in reaction to living in shadow for months and posted on Craigslist in Iceland. It’s a poem for the sun and those in his life that closely resembles its strength and nourishment.
Christopher Willauer (b. 1992) is an interdisciplinary artist, writer, and recovering catholic currently based in Brooklyn, New York. He works primarily through performance, sculpture, video, and text to conceptually engage with the body and the natural world in a reverent and ritualistic manner. In his work, the body functions formally and conceptually as an exploration of anxieties, sorrows, pleasures, eroticism, and queerness. His writing is interested in the poetics of longing, love, and time. Through his use of an abstracted diaristic approach and absurdist philosophy he works to evoke a poetic understanding of desire, home, and vulnerability through his elemental and grotesque imagery.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
09/11/2020
Exhibition "Misplaced" Archives
Sun Missed Connection, 2019
Craigslist AD with Envelopes, return address ‘A Place of Longing”, take away
This poem was written while at an artist residency in Iceland for two wintry months. Written while Willauer was located deep in a fjord, where the mountains circled around him with two
openings on opposite ends, the sea on one side and a winding road on the other. During those
wintry months, the sun never rose above the mountains, only allowing the light to spill over without ever seeing the sun directly. This poem was written in reaction to living in shadow for months and posted on Craigslist in Iceland. It’s a poem for the sun and those in his life that closely resembles its strength and nourishment.
Christopher Willauer (b. 1992) is an interdisciplinary artist, writer, and recovering catholic currently based in Brooklyn, New York. He works primarily through performance, sculpture, video, and text to conceptually engage with the body and the natural world in a reverent and ritualistic manner. In his work, the body functions formally and conceptually as an exploration of anxieties, sorrows, pleasures, eroticism, and queerness. His writing is interested in the poetics of longing, love, and time. Through his use of an abstracted diaristic approach and absurdist philosophy he works to evoke a poetic understanding of desire, home, and vulnerability through his elemental and grotesque imagery.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
12/10/2020
Visitors from Musashino Art Uni.
Misplaced: In Search
of (Re)Buildings
Schedule
June 6, 2020, to June 28, 2020
(By Appointment Only)
July 25, 2020, to August 14, 2020
September 26, to October 9, 2020
Venue Hours
From 14:00 To 19:00
Closed on Mondays, Tuesdays, and Fridays
Fee
Free
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
12/10/2020
Camila Marchon
Brazilian, b.1984
Atlas, (2019)
Video 5'39''
AtlasIs a video divided in three chapters that approaches existential questions aboutGod and the begging of the universe. These questions are not answered by scientists.They are raised by a curious artist that questions the existence of God through Michelangelo’s paintings, Google's voice, Google Earth, space stamps, and a famous song. The artist uses appropriation to create something new, putting the past and the present together, providing a portrait of our time.
Courtesy the artist
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
12/10/2020
Misplaced: In Search
of (Re)Buildings
Schedule
June 6, 2020, to June 28, 2020
(By Appointment Only)
July 25, 2020, to August 14, 2020
September 26, to October 9, 2020
Venue Hours
From 14:00 To 19:00
Closed on Mondays, Tuesdays, and Fridays
Fee
Free
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
12/10/2020
Extended opening hour to 8.
Misplaced: In Search
of (Re)Buildings
Schedule
June 6, 2020, to June 28, 2020
(By Appointment Only)
July 25, 2020, to August 14, 2020
September 26, to October 9, 2020
Venue Hours
From 14:00 To 19:00
Closed on Mondays, Tuesdays, and Fridays
Fee
Free
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
12/10/2020
Freya Everest British, b.1998
iPhone Notes (2018) Handwritten notes, glass-wax glaze, glass wax, paper
10cm x 7cm x 115
Courtesy the artist.
07/10/2020
Katharina Siegel
German, b.1993
Casting out (2019)
Laser prints of an analog photo.
The series ‘Casting Out’ Features analog images from the families archive. Each image shows family members whose faces are covered with an object that makes them unrecognisable. The series is influenced by the personal relationships within the artists family. Closeness, companionship, growing up and conflict are part of the series. Hidden family stories and childhood memories served as a source of inspiration. The series takes a humorous and loving look at shared family memories. Objects on top of the faces of family members makes them unrecognizable , except for the family members themselves.The objects that cover the individuals refer to the personal connection between artist and the portrayed person. ‘Casting Out’ is about personal histories, family ties and memories within the artist’s family.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
07/10/2020
we’re excited to be commencing partnership with Artmoney . Art Money empowers people to buy art, supporting artists, galleries and a sustainable creative economy.
See our purchasable collections on ↓
www.opedspace.org
www.artsy.net/oped-space
03/10/2020
Oped's collaborated artist Sergio Suárez Now have a show at
“To be accompanied by the sound of water” will be in view until October 17
Open hours are Fri and Sat 12:00 to 5:00 or by appointment. Dm to schedule one.
#現代芸術 #画廊 #東京アート #ギャラリー #アートワーク #オペードスペース東京
03/10/2020
William Winter
United States, b.1985
OCDiva (2017-2020)
In an obsessive act of control over one's environment, a personal story of compulsive behavior was injected into the collective history of urban life. A cycle ensues. Unwanted, uncleaned, and forgotten toilets were collected off the streets of Berlin before being washed, pulverized, and reborn as new porcelain kitchenware.
Courtesy the artist.
#現代芸術 #画廊 #東京アート #ギャラリー #グループ展 #アートワーク #オペードスペース東京
ビデオ (すべて表示)
カテゴリー
事業に問い合わせをする
ウェブサイト
住所
Honcho 1-5/17
Kokubunji, Tokyo
1850012
営業時間
| 水曜日 | 14:00 - 19:00 |
| 木曜日 | 14:00 - 19:00 |
| 土曜日 | 14:00 - 19:00 |
| 日曜日 | 14:00 - 19:00 |