HAL Picture

👉 From watchable images to meaningful ones.

Before & were even released, we presented their underlying philosophy at the AFC’s Look Development Seminar during Camerimage 2024.

This session introduced our approach to look development: moving beyond LUTs, towards parametric tools and controlled behaviors.
A structured, color-managed workflow, designed for more control, more artistic intention and more consistency.

➡ Watch the full conference on out YT channel (link in bio)

A look doesn’t happen in one move. It’s crafted, step by step.
Swipe through the process.

🎬 Made with &

🎬 Stills from “Privileges", a series released on
This look was crafted with our plugins and .

🧑‍🎨 Directors : and
🎥 Cinematographer :
🎨 Colorist :
🔹Post House : .studio.paris
🔹Production : / Zazi Séries

Create your own palette with our toolbox
➡️ Link in Bio (www.toolbox.hal-picture.com/palette)

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🗣️ “ Grading becomes what it truly is again: a space where editing gives resonance to the image, shaping it almost like a musical score.”

Discover cinematographer Celine Bozon’s singular take on and , and how she used them on Camarades.

A series directed by Benjamin Charbit and , selected at .

🎬 Stills from “Love Me Tender”, released the 10th of December 2025 in theatres.
This beautiful look was crafted with our plugins and .

🧑‍🎨 Director :
🎥 Cinematographer :
🎨 Colorist :
🔹Post House :
🔹Production :

Create your own palette with our toolbox
➡️ Link in Bio (www.toolbox.hal-picture.com/palette)

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We promised it, so here it is: 1.5 is available right now on your dashboard!

This update brings a solid batch of new features and upgrades, including one especially beneficial for grading, plus plenty of improvements under the hood.

Many of them were directly born from conversations with you. So thanks for the feedback, the tests and the nerdy discussions 🤝

One important thing to keep in mind: this update doesn’t guarantee full look continuity across versions. But we’ve got you covered :

👉 We’ve put together a dedicated page on look continuity, plus a blog article diving into what’s new in Diachromie 1.5, with clear recommendations to help you move forward safely.
➡️ Links in bio.

As always, we’re curious to hear your thoughts. Tell us what you think!

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🗣️ “ They allow me to define a film specific image with fine adjustments, and to control the image chain from the start of shooting to color grading.”

Discover how integrates and in real-world feature film workflows —including L’Épreuve du feu, nominated three times at the .

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Highlights from Micro Salon 2026.
Thanks again to for the space on their booth!

➡️ Feedback session: Diachromie et Diaphanie integrated into Kaamelott - Deuxième Volet’s pipeline.
With Dop Jean-Marie Dreujou, DIT Nejib Boubaker , colorist , labo Regular Kolor

➡️ HAL Picture conference: « Robust parametric look development, the solution to (almost) all your problems, with a focus on HDR deliveries and film restoration ».
Showcased through images from Extra Lucide, Dop

It was so nice to see everyone, meet new people and have great discussions wight other passionates.

🎬 Released in theaters today: “À Pied D'Oeuvre”.
Beautiful stills from the movie's look, crafted with our plugins and .

🧑‍🎨 Director :
🎥 Cinematographer : Irina Lubtchansky
🎨 Colorist :
🔹Post House :
🔹Production : Légende Films
🔹Production Supervisor : Mélanie KARLIN

Create your own palette with our toolbox
➡️ Link in Bio (www.toolbox.hal-picture.com/palette)

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🧠 Today in Decoding Nerdy Stuffs: Halation & Diffusion.
In Diaphanie 1.3.0, the highlight separation feature has been perfected, and the highlight boost becomes an essential feature.
To learn more, check out our dedicated article breaking down how to achieve accurate and convincing halation and diffusion emulation.

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