About Photography

Where the Light Came In by , published by , is a quiet, long-term exploration of the artist’s own domestic space. Working in black and white, Black photographs light, rooms, objects, and small moments that repeat over time. The book is built on attention rather than events, revealing how familiarity, memory, and presence shape what we see.

In the interview, Black speaks about working slowly and without a fixed plan, returning to the same spaces and allowing the photographs to accumulate over years. She reflects on trust, uncertainty, and the importance of staying with a place long enough for meaning to emerge, rather than trying to explain or control it.

The full article looks closely at how this approach shaped the book, why repetition became central to the work, and what changed for Black by committing to a single, everyday environment. Read the full article!

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The Shankill by , published by , is a quiet and precise photographic study of a single street in Belfast. Made over years of repeated visits, the book looks beyond headlines and symbols to observe everyday life shaped by history, memory, and division. The photographs are restrained, thoughtful, and deeply attentive to small details that carry long shadows.

In our interview, Julie McCarthy speaks about returning to the same place again and again, letting time do the work. She talks about working slowly, earning trust, and resisting the urge to explain or dramatize what is already present. The project is less about making statements and more about listening to what a place reveals when you stay long enough.

If you are interested in photography that values patience, restraint, and deep looking, read the full article on aboutphotography.blog Discover why McCarthy chose to focus on one street, how the project evolved over time, and what she learned by letting the work unfold quietly.

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Double Take by published by brings together nearly a decade of photographs built on quiet observation and chance encounters. Known for images where people unexpectedly mirror artworks, the book expands this idea into a broader meditation on visual coincidence, rhythm, and attention.

In our interview, Stefan spoke about patience as his main tool, not strategy or planning, but simply staying with a scene long enough for something subtle to happen. These photographs are less about spotting and more about noticing.

If you enjoy photography that rewards slowing down and looking twice, read the full article on aboutphotography.blog and discover how this book came together.

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Known for turning rain, fog, and storms into something quietly cinematic, Christophe Jacrot now dedicates an entire body of work to winter, a season he has been photographing for years across Iceland, Japan, France, and Northern Europe.

Christophe Jacrot is a contemporary French photographer celebrated for his atmospheric images of cityscapes and landscapes under rain, snow and winter light. He began his creative career in cinema, directing several award-winning short films, before turning fully to photography.

In Ghana, death is a performance of life.

'Buried in Style' explores one of the most extraordinary funeral traditions in the world, the vibrant and artistic burial culture of Ghana’s Ga-Adangme people.

Regula Tschumi is a Swiss ethnologist and photographer whose work bridges art, anthropology, and cultural storytelling. Living between Switzerland and Ghana, she has spent more than two decades researching and documenting African art forms, rituals, and belief systems. Her long-term focus on the funeral culture of the Ga people in Ghana has made her one of the leading researchers and photographers in this field.

Paul Nicklen spent three decades photographing polar bears, whales, and fragile ecosystems now disappearing faster than ever.

Nicklen wanted to remind people that beauty still exists and that it is worth protecting.

Paul Nicklen is a Canadian photographer, filmmaker, and marine biologist known for his striking images of the polar regions and the life that inhabits them.
Nicklen’s photographs have appeared in National Geographic and other major publications, earning him more than thirty international awards, including the World Press Photo and Wildlife Photographer of the Year.

The Oceano Dunes have long been a site of cultural, historical, and environmental significance. From the iconic photographs of Edward Weston to the remnants of Cecil B. DeMille’s 1923 film set for The Ten Commandments, these dunes have been a canvas for various narratives over the decades.

Photographer Lana Z Caplan’s photobook, Oceano (for seven generations), dives deep into the layered histories and current controversies surrounding this unique landscape. She explores how the land has been used, abused, and fought over, blending historical photographs with contemporary issues.

Imagine a town where steel towers pierce the sky and legends of UFOs swirl through the air. This is Port Talbot, a small industrial town in South Wales that photographer Roo Lewis explored for two years.

Roo tells stories of resilience and the unbreakable spirit of the people who call this town home.

David Graham started saving the photos he took while location scouting, they all looked like movie scenes that no one would ever film.
Those images later became his photobook: "Locations from a Movie I Never Made", a collection of real places that look as if a film is about to begin.

With over two decades of experience in the film and advertising industries, Graham has collaborated with renowned directors like Steven Spielberg, Ang Lee, Michael Mann, and Gus Van Sant. His ability to identify and capture evocative locations has made him a trusted creative force in Hollywood and beyond.

Photographer Jason Gardner invites us on such an enchanting journey in his new book, We the Spirits. Over fifteen years, Gardner traveled to fifteen different countries, capturing the magic and mystery of traditional Carnival celebrations. Gardner explored hidden gems: remote villages and small towns where Carnival is celebrated in its most authentic form.

Olga Karlovac walked alone on a small hill above Požega, the snow falling fast and the wind cutting through the dark.
Her boots slipped on the fresh snow and her clothes got wet, but she kept walking, looking for the right angles. The Ricoh GR camera in her hands captured shapes, shadows, and empty space in a way she had never experienced before.

In just half an hour, she made four images that captured loneliness of the place, with almost no editing.
The old wooden houses and empty vineyards around her were barely visible, but they became part of the story she wanted to tell.

Olga Karlovac is a self-taught abstract and street photographer hailing from the picturesque city of Dubrovnik, Croatia. With a keen eye for the unconventional and a penchant for capturing fleeting moments, Karlovac’s work transcends the boundaries of traditional photography. Her unique style, characterized by black-and-white compositions and an embrace of imperfections, has garnered international acclaim, earning her recognition in esteemed publications and exhibitions around the globe.

"Blank Notes": Marshall To's debut monograph explores the intersection of Taoist spirituality and contemporary photography through the lens of the Hungry Ghost Festival.

The book draws its title and concept from the Taoist tradition where the gates of hell open on the fifteenth day of the seventh lunar month, allowing hungry ghosts to roam the earth seeking sustenance. To spent years photographing animals like wolves, owls, snakes, and foxes that in Taoist belief can serve as vessels for these restless spirits.

The book mixes images of animals, traces of ritual, and night photography that brings back the atmosphere of his childhood stories.

To’s father believed in a world of restless spirits, and To carried this belief into his work