La Collection

Attic terracotta aryballos (oil flask) in the form of a cockleshell, with a black-glazed neck and handles, c. 500 BC.

Emmanuel Pontremoli, Villa Kérylos, c. 1902–1908.

The Pendulum, part of The Silent Dialogues by .

In dialogue with the architecture, rhythm and quiet intensity of Le Fondement.

Suspended between stillness and movement.

A paper-finish cotton and silk blend, sculpting the body through form and volume.

The Shiloh skirt, defined by structured pleats and an architectural silhouette.

Chlōnē Spring/Summer 2026 collection.

The structure of linen, softened through silk.

The Callie slip dress in a linen silk blend, falling through a fluid silhouette with soft draping along one side.

Chlōnē Spring/Summer 2026 collection.

Roman marble torso of a draped goddess, after a Hellenistic Greek original, c. 1st century BC–1st century AD.

Cut from a linen–silk blend.

Sasha blazer and Mandana trousers, shaped through fluid tailoring and relaxed proportions, worn across him and her.

Chlōnē Spring/Summer 2026 collection.

Introducing the Eileen bag.

A structured handbag in calf leather, handcrafted in Italy and finished with a lambskin lining and gold-tone hardware. Paired with the Pamela skirt, Vicky T-shirt and Ari shoes.

Chlōnē Spring/Summer 2026 collection.

A moment from the Chlōnē presentation at L’Appartement, Paris.

The Rita top and Shiloh skirt in cream, where subtle floral textures meet sculptural drapes and movement.

Eugenia Silva wearing Chlōnē Spring/Summer 2026.

Tahia hat in black silk organza, paired with the Riley trenchcoat and Athena trousers.