CybeRadio Studio
HI! I am motion designer :)
I can do 2D shape animation, animate ordinary photos, create anim. scre
27/01/2026
Lately Iโm obsessed with creating liquid forms in KREA ๐ง
Itโs such a powerful way to explore light, flow, and material behavior without touching complex simulations.
Feels like sculpting with pure energy โ fast, intuitive, and surprisingly expressive โจ
VisualResearch
DigitalArt
ConceptArt
MotionDesign
FutureOfDesign
23/01/2026
Building a strong visual set for Krea can be incredibly simple โจ
I usually start by collecting a small group of images around one clear idea:
same mood, similar lighting, consistent colors, and emotional tone.
No perfection, no overthinking โ just visual coherence.
This kind of curated selection becomes a powerful base for generating new images, testing styles, and exploring aesthetics fast.
Krea feels less like โAI generationโ and more like a visual sketchbook for creative thinking.
The key is not the amount of images โ itโs the quality of your visual taste.
visualresearch
conceptart
digitalart
artdirection
creativetechnology
designinspiration
creativeprocess
15/01/2026
I love using AI visuals as architectural references, not as final renders ๐ง โจ
These scenes were created in Krea to explore space, rhythm, glass, color, and atmosphere ๐๏ธ๐ฎ
For me, this kind of visual research is about:
โ testing spatial moods without constraints ๐ฌ๏ธ
โ playing with transparency, reflections, and scale ๐ช๐
โ building a visual language before real architecture begins ๐จ๐
AI here is a creative sketchbook, not a shortcut ๐
A fast way to think, feel, and explore ideas ๐ญโจ
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๐ค
krea โจ
conceptart ๐จ
spatialdesign ๐
archviz ๐ช
Frozen Atmosphere
Winter here feels like a frozen breath โ soft light, icy textures, and a calm, cinematic stillness. This visual was created using Krea and Kling as a way to explore mood and atmosphere through AI before full production.
visualresearch generativeart krea kling
13/01/2026
This is how a custom visual style is built โ and later used to train Krea ๐จโจ
It starts with style exploration, not training.
I generate multiple images around one idea โ same mood, softness, palette, and emotional tone โ๏ธ๐
At this stage, Iโm not chasing perfection, only consistency.
Then comes curation ๐ง
From many generations, I carefully select images that clearly express:
โ color relationships ๐จ
โ lighting behavior โจ
โ facial softness and proportions ๐ค
โ atmosphere and emotional temperature ๐ซ๏ธ
These selected images become the style foundation.
They define what the style is โ and just as importantly, what it is not.
Once the visual language is stable, the style can be uploaded and trained in Krea ๐ค
From that point on, the model understands:
โ how clouds behave
โ how light wraps the face
โ how softness, contrast, and mood should feel
The result is a style that can be reused, refined, and evolved, while staying visually coherent across multiple images โจ
For me, AI style training is less about data โ
and more about taste, selection, and visual intent ๐ฏ
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๐ค
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๐จ
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styledevelopment ๐ง
creativeprocess โจ
digitalaesthetics ๐ซ๏ธ
This is how I turned the entire process into a finished video โ step by step ๐ฌโจ
It started with character creation ๐งโโ๏ธ
I generated the model, chose an existing visual style, and defined the mood and attitude of the character.
Next came product integration ๐งด
I introduced the perfume and used NanoBanana to place it naturally into the scene โ creating a realistic handโobject interaction without altering the original image.
Only subtle physical logic was added: correct orientation and liquid behavior ๐ง
Then I prepared a motion-ready image set ๐ธ
The same character was placed in different poses and slightly varied but cohesive outfits, allowing smooth transitions and visual rhythm.
From there, I moved into motion ๐ฅ
I transformed the stills into a slow-motion sequence, focusing on micro-movement โ hair, posture, product weight โ to add cinematic depth and a luxury feel.
Finally, everything came together in editing โจ
Images, motion, timing, and mood aligned into a single narrative designed for product presentation.
This workflow turns AI into a pre-production and storytelling tool, making it possible to go from concept to video faster โ without sacrificing realism, control, or visual identity ๐
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๐ค
๐งด
โจ
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creativeprocess ๐ง
digitalproduction ๐๏ธ
previsualization ๐
Itโs never been this easy to build motion references before a shoot ๐ฅโจ
For this test, I used:
๐ผ๏ธ Krea โ to create the character (look, mood, lighting)
๐ฌ Kling AI โ to animate the character and explore movement
With this setup, I can quickly:
โ test camera motion and framing ๐ฅ
โ explore how the actor moves and reacts ๐งโโ๏ธ
โ define character presence, rhythm, and mood ๐ญ
โ simplify communication before shooting starts ๐ง โก
Instead of guessing on set, you arrive with:
โ๏ธ clear camera references
โ๏ธ movement logic
โ๏ธ visual alignment across the team
AI here works as pre-visualization, not replacement ๐
A fast way to reduce uncertainty and make the shooting process lighter, clearer, and smarter โจ
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๐ค
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krea โจ
klingai ๐
creativeprocess ๐ง
filmmaking ๐๏ธ
digitalproduction โ๏ธ
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